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200220032004 2005

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Movies of 2006

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Alphabetical

Movie Reviews by Genre

Apocalypto
Bobby
Borat
Brokeback Mountain
Casino Royale
Chronicles of Narnia:
The Lion, The Witch & The Wardrobe
Click
DaVinci Code
Eragon
Family Stone, The
Firewall
Failure to Launch
Flushed Away
Flyboys
Fun With Dick & Jane
The Guardian
Happy Feet
The Holiday
Hollywoodland
Ice Age 2 - The Meltdown
Inside Man
Invincible
Jackass Number 2
King Kong
Lucky Number Slevin
Miami Vice
MI3
My Super Ex-Girlfriend
Nacho Libre
Night at The Museum
Oscars Recap
Pink Panther
Pirates of the Caribbean:
Dead Man's Chest

Poseidon

The Prestige
The Pursuit of Happyness
Ringer, The
Rocky Balboa
The Sentinel
Superman Returns
Stranger Than Fiction
Talladega Nights: The Ballad of Ricky Bobby
Thank You For Not Smoking
Tenacious D
United 93
V For Vendetta
We are Marshall
X-Men: The Last Stand

Action/Adventure
Apocalypto
Casino Royale
Chronicles of Narnia:
The Lion, The Witch & The Wardrobe
Firewall
Flyboys
Inside Man
King Kong
Miami Vice
MI3
Pirates of the Caribbean: Dead
Poseidon Man's Chest
Superman Returns
V For Vendetta
X-Men: The Last Stand

Children/Animation/Family
Chronicles of Narnia:
The Lion, The Witch & The Wardrobe
Eragon
Flushed Away
Happy Feet
Ice Age 2 - The Meltdown
Night at The Museum
Pink Panther

Comedy/Romance/Musical
Borat
Click
Family Stone, The
Flushed Away
Fun With Dick & Jane
Happy Feet
The Holiday
Ice Age 2 - The Meltdown
Jackass Number 2

My Super Ex-Girlfriend
Nacho Libre
Pink Panther
Pirates of the Caribbean: Dead Man's Chest
Ringer, The
Stranger Than Fiction
Superman Returns
Talladega Nights:
The Ballad of Ricky
Bobby

Tenacious D

Horror

Drama/Suspense
Apocalypto
Bobby
Brokeback Mountain
Casino Royale
DaVinci Code
Family Stone, The
Firewall
Flyboys
The Guardian
Hollywoodland
Inside Man
Invincible
King Kong
Lucky Number Slevin
Miami Vice
MI3
Poseidon

The Prestige
The Pursuit of Happyness
Rocky Balboa
Stranger Than Fiction
The Sentinel
Thank You For Not Smoking
United 93
V For Vendetta
We are Marshall
World Trade Center

Science Fiction/Fantasy

Click
Chronicles of Narnia:
The Lion, The Witch & The Wardrobe
Eragon
King Kong
Pirates of the Caribbean: Dead Man's Chest

Night at The Museum
The Prestige
Superman Returns
V For Vendetta
X-Men: The Last Stand

True Stories

Bobby
Borat
Flyboys
Hollywoodland
Invincible
Jackass Number 2
The Pursuit of Happyness
United 93
Thank You For Not Smoking
We are Marshall
World Trade Center

We Are Marshall
A Film by McG (Charlie's Angels, Charlie's Angels: Full Throttle)


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The inspiring, true story of the Marshall University football team, We Are Marshall begins shortly before a 1970 plane crash that killed 75 members of the football team, coaching staff and booster club. That singular moment plummets the university and the city of Huntington, West Virginia into a deep despair that had the potential to continue to devastate the community forever. After considering discontinuing the football program, the university board votes to rebuild the program on the backs of the four remaining players lead by Nate Ruffin (portrayed by Anthony Mackie) and an assistant coach (Matthew Fox as Red Dawson) who happened to not be on that fateful flight. The university president (David Strathairn) thus begins the painful task of finding a new head coach. Unbelievably, Jack Lengyel (Matthew McConaughey), a small time coach in Ohio, contacts the college and impresses the president. Eventually, they convince the NCAA to allow them to play freshmen and their journey toward healing the university and community at-large begins.

We Are Marshall is a powerfully emotional movie set against the backdrop of college football. Anyone who has followed Division II football is well aware of the success of the Marshall Thundering Herd football team beginning in the 1980s but few may be aware of how close the program came to closing up shop after the tragic plane crash depicted at the beginning of the film. It may have taken over a decade but the Marshall Thundering Herd became an unstoppable force in Division II, so much so that they have been elevated to the next level.

This script and how it is brought to the screen is tremendous, carrying the audience from those horrifying moments through the grief that followed and the rebirth that happened at the hands of some brave men who followed their hearts more than their minds. This movie will pull you in, make you cry, laugh and cheer whether you want to or not. It is doubtful that there were any eyes that remained completely dry throughout the movie. This is not your typical sports/football movie but should appeal to football aficionados. The cast live within their characters and the movie moves quickly, never allowing the audience to regroup. It is one emotional moment after another until the climax: the first home game of the new Marshall Thundering Herd.

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Night at the Museum - A Film by Shawn Levy (The Pink Panther - 2006, Cheaper by the Dozen)


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Larry Daley (Ben Stiller) is a man with plenty of great ideas, just poor execution.  He is on the verge of being evicted for the umpteenth time, once again uprooting his 10 year old son Nick (Jake Cherry.)  His ex-wife (Kim Raver) encourages him to take on honest work in order to allow him to keep custody of Nick so Larry takes a job as the night security guard at the American Museum of Natural History in New York.  He replaces long time night security guards Cecil (Dick Van Dyke), Gus (Mickey Rooney) and Reginald (Bill Cobbs.)  After approving Larry as their replacement, the three gentlemen turn over their keys, a flashlight and instructions.  Little does Larry know that his first night will be more than he expected as all of the displays come to life and take over the museum, including a Tyrannosaurus Rex, Teddy Roosevelt (Robin Williams) and Sacagawea (Mizuo Peck.)  As he quickly learns, his job is less about keeping burglars out as it is to keep the displays in.

Night in the Museum is a light hearted comedy that is definitely designed to appeal to the pre-teen audience with cowboys, Roman gladiators, lions, dinosaurs, monkeys and Attila the Hun.  The subplot about Larry trying to gain the respect of his young son plays second fiddle to the action in the museum after dark.  Robin Williams is funny as usual but this time without resorting to his more slapstick routines.  Stiller once again proves that he is better as the comedic foil than the lead.  There are some laugh-out-loud moments but they really are few and far between for adults.  Which brings us back to our original comment about this film being designed to appeal to pre-teens.  For most adults, this will be a 2 Kernel film.  For the younger audience among us (and perhaps the adults viewing it with them), this is probably a 3 Kernel film.  Either way, it was a halfway decent distraction and did make us chuckle.

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Eragon
A Film by Stefen Fangmeier (Directorial debut)


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Eragon (Edward Speleers) is a farm boy living in the village Carvahall in the fictional and magical world of Alagaësia, ruled by the maniacal King Galbatorix (John Malkovich). When the 17-year-old boy discovers a polished blue stone, he thinks he’s merely stumbled upon a nice treasure for a farm boy. His delight turns to shock, however, when this stone turns out to be a dragon egg, when dragons had been thought to be extinct for ages. A dragon named Saphira emerges from the egg, and Eragon’s life is turned upside-down, as he has made the discovery of a lifetime, a legacy nearly as old as the Empire itself. When one day he finds his uncle dead, Eragon sets out to avenge him. Accompanied by a wise but enigmatic storyteller named Brom (Jeremy Irons), Eragon and Saphira take up the legacy of legendary dragon riders, learning the skills of magic, swordfighting and dragon-riding in preparation for his revenge against those responsible for the death of his family. He eventually joins the forces of the Varden, rebels determined to overthrow the king Galbatorix, and this journey will culminate in an epic battle that may determine the future of the land.

The success of the book series Eragon surprised many, as it came from the mind of a 15-year-old boy (the author began writing the book when he was 15; he was 19 when it was first published). It has captured an army of followers all awaiting the same experience from the new film. Enter the real 15-year-olds, the hollywood movie makers. This film deserved another hour of character development. It’s not by any means the same depth of tale as, for example, Lord of the Rings by any stretch, but the books’ success came from the believability and likeability of the characters: A group of vulnerable and, in the end because of their fears, courageous heroes. Not so in Eragon the movie. While the cast is strong, with talented actors, they all look vaguely embarrassed to be in a movie with such an insipid script. (Though Irons, with Dungeons & Dragons already under his belt and now this tripe, really needs to get new management.) With a group of 7 to 10-year-olds, the consensus in the theater lobby was, “Cool dragon, why didn’t they follow the book?” In the end Eragon, the movie, is a shame for its young fans. It’s another glitzy over-produced action affair devoid of the true story, with occasional nods to readers of the books, rather than a memorable entertainment experience. Nice acting and beautifully shot, but I only wish that next time they would have listened to the 15-year-old.

 

E-Mail Wando: wando@Dubuque365.com

Rocky Balboa
A Film by Sylvester Stallone


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In this (apparent) conclusion to the Academy Award-winning Rocky saga, legendary boxer Rocky Balboa (Sylvester Stallone, obviously) has found something of a life outside of the ring. Following the death of his wife, Adrian, due to cancer, Rocky has opened up an Italian restaurant and spends his nights regaling customers with old fight stories from days gone by. But the heart of the fighter is rekindled when ESPN runs a simulated boxing match pitting Rocky in his prime against current champion Mason “The Line” Disxon (Antonio Tarver) ... and the computer says Rocky would win. After Rocky gets his boxing license back, hoping to get into some local competition, Dixon’s promoters approach Rocky and make him a tempting offer: A 10-round exhibition in Las Vegas with the champ. Against the advice of both his son Robert (Milo Ventimiglia) and Paulie, Rocky accepts the challenge and reunites with trainer Duke to get back into fighting shape.

Amazingly, for a sequel that was seemingly not asking to be made, Rocky Balboa might be the best entry in the series after the original film. It provides a fitting and genuine conclusion to the long saga that is the Italian Stallion ... and let us just say, for the record, for a 60-year-old man, Sylvester Stallone is ripped with muscles that would make any man envious. This is a movie that had the potential to be a real joke — a 60-year-old climbing into the ring with a 30-year-old and hoping to be taken seriously? But between Stallone’s ridiculous physical conditioning and the great efforts made to acknowledge that yes, this is a man who is well past his fighting prime, Rocky Balboa never delves into the realm of self-parody. It’s great to see old friends like Paulie and Duke again (Duke providing his same old bad-ass treatment), and the relationship between Rocky and his son is a highlight of the film. Let’s be honest, here: The Rocky movies have never been about making high art or really daring epics. They’re about an ordinary man doing extraordinary things, going the distance against unbelievable odds. Or, as Rocky himself puts it, “It’s about how hard you can get hit, and keep moving forward.” So sit back, enjoy the standbys like that classic theme and the inevitable training montage, and step into the ring with Rocky one last time. (And let’s all try to forget about Rocky V.)

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APOCALYPTO
A Film by Mel Gibson (Braveheart, The Passion of the Christ)


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The world of Jaguar Paw (Rudy Youngblood) is torn apart in the rainforests of Mexico when a Mayan scout team ransacks his village, murdering half the villagers and taking the remainder capture and leading them to the Mayan capital city.  Jaguar Paw along with several of his brethren become fodder for a civilization on the verge of existence.  The Mayans, experiencing a drop in crop production, are desperate to appease their gods through human sacrifice and rituals.  Jaguar Paw is destined to be yet another victim until fate steps in.  After managing to escape the city, he begins a perilous journey back home to save his wife, his son and his unborn second son.

Apocalypto is a pretty amazing production, especially considering that the entire cast is made up of indigenous peoples and because of the unique locations used.  The film is shot almost entirely in one of the last remaining rainforests in Mexico.  The cinematography is stunning with some incredible vistas.  The tribal people in the village are believable, living simple lives in thatched huts, totally focused on family.  The Mayan people are much more sophisticated, living in a world full of color and building cities of stone.  These worlds collide, almost as a prelude to the greater threat yet to be experienced, the introduction of Europeans.  The film does not give much of a sense of the Mayan culture other than the violence that everyone agrees dominated the final days of their civilization.  It is appropriate in this story as the focus is on Jaguar Paw and his experiences with them.  The violence is at times jarring but realistic and probably accurate.  This was a violent time and the Mayans were a violent culture at the end.  It is part of the reason the Europeans took issue with them.  The story is more about the importance of family than it is about the Mayans.  As that, it is successful but the extent to which their world is recreated is somewhat wasted on a story that could have been told in modern times.  Still, the movie is riveting and quite stunning.

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The Pursuit of Happyness
A Film by Gabriele Muccino (First English Language Feature Film)


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The Pursuit of Happyness preoccupies Chris Gardner (Will Smith), a bright and talented salesman who is struggling to make ends meet.  His wife, Linda (Thandie Newton), is working double shifts to keep food on the table for them and their 5-year old son, Chris (played by Smith's own son, Jaden.)  The rent is past due, their taxes are in arrears and a backlog of unpaid parking fines loom over this young family.  A simple series of events leads Chris to decide that becoming a stock broker at Dean Witter Reynolds is the answer.  Unfortunately, the intern program has 20 applicants and only one will eventually get the nod and become a broker.  As he struggles to make his way through the program, Chris and his son must survive the departure of Linda, the loss of their home, an unimaginative day care provider and the impounding of their car.  Is there a light at the end of this very dark tunnel?  Will their pursuit end in the happiness they so desperately seek?

The Pursuit of Happyness rests firmly on the shoulders of Will Smith.  His powerful performance as a down-and-out young African American man in 1981 San Francisco carries this story from start to finish.  He wears his emotions on his sleeve and his devotion to his son is what drives him.  His real-life son makes an effective debut, being the naïve but optimistic 5-year old who does not understand what is happening around him but knows his father is doing his best.  The story trudges along at certain points.  While necessary, there are moments where enough is enough.  The audience quickly comes to appreciate the plight of this man and some of the reinforcing events become repetitive.  Perhaps that was the point but it made for a lesser movie.  The overriding story is inspirational and the payoff is worth the wait as the reaction of the audience proved.  Smith could easily hear his name announced as a Best Actor nominee when the Academy announces their nominees in 2007.  Smith has become a strong leading man over the past couple years and The Pursuit of Happyness may be his breakthrough role with critics.

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The Holiday
A Film by Nancy Meyers (Something's Gotta Give, What Women Want)


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As Christmas approaches, two women on opposite sides of the world realize they need a drastic change to make it through The Holiday.  Iris (Kate Winslet) is a writer for a major newspaper in London and is in love with a man who is engaged to someone else but cannot leave her alone.  Amanda (Cameron Diaz) is a movie trailer producer living in LA who just found out that her live-in boyfriend is having an affair.  In a desperate move to take her mind off her troubles, Amanda logs onto a website where people can swap houses for a two week period.  She stumbles upon Iris' house, contacts her and they agree to do just that.  So, having never met, the two women exchange houses just prior to Christmas.  Upon arrival, Iris is thrilled with the fancy digs that Amanda owns and Amanda is comforted by the charming cottage that Iris inhabits.  Little does either woman know that this simple change in location will lead to life-changing relationships.
The Holiday is a great date movie and is bound to become somewhat of a holiday classic, even though Christmas plays second fiddle to the love stories.  The love story that develops between Amanda and Iris' brother Graham (Jude Law) takes center stage shortly after Amanda's arrival in England.  Iris generates a relationship with a retired scriptwriter (Eli Wallach) and eventually warms up to Miles (Jack Black), a movie score writer who knows Amanda.  The movie is definitely going to appeal to women way more than men but there is sufficient humor to keep the guys somewhat interested if they have chosen to go to the movie on a date (or were dragged to it.)  The film does have some slower moments toward the beginning and some good old fashioned male bashing.  Still, Amanda and Iris are not perfect either and we are left not knowing exactly what happened to cause their previous relationships to fail.  Still, the way that their new relationships develop is fun to watch.  Diaz is not a great actress, and that carries through here.  Winslet is a much better actress and that is apparent here.  Law does another fine job as the affable English love interest and Black surprises as a witty, good guy.  Some nice settings,  great subplots such as Wallach as the retired scriptwriter and male characters who are good guys keep the movie moving along and prevent it from becoming the quintessential woman's film where no guys are any good.
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BOBBY
A Film by Emilio Estevez (The War at Home, Wisdom, Men at Work)


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The date: June 4, 1968. The location: Los Angeles, more specifically the landmark Ambassador Hotel. The occasion: the California primary in the 1968 presidential election. BOBBY is the story of that fateful day in 1968 when Robert F. Kennedy won the California primary, seemingly clinching the Democratic nomination for president, only to be cut down in his prime by Sirhan, Sirhan in the kitchen of the Ambassador Hotel right after his victory speech for the primary. The story follows 22 individuals who, at the beginning of that day, had no idea that their lives would be so radically affected by the events of that night.

Nelson (Harry Belafonte) is retired and hangs around the hotel lobby most of the day, playing chess with John Casey (Anthony Hopkins), the former hotel manager. Paul (William H. Macy) is the current manager. His marriage to Miriam (Sharon Stone), manager of the hotel beauty parlor, is on shaky ground due to his affair with hotel switchboard operator Angela (Heather Graham.) Other notable hotel employees are the racist food and beverage manager, Timmons (Christian Slater), chef Robinson (Laurence Fishburne) and bus boy Jose (Freddy Rodriguez.) Guests of the hotel that day include a young couple who is marrying to keep the young man out of active duty (Lindsey Lohan and Elijah Wood); Kennedy campaign financier Jack (Martin Sheen) and his young wife Samantha (Helen Hunt); and nightclub performer Virginia Fallon (Demi Moore) and husband/manager Tim (Emilio Estevez.) Joining the mix of people coming in and out of the hotel over those 24 hours are Kennedy campaign staffers (Joshua Jackson, Nick Cannon and Shia LeBeouf) and a drug dealer (Ashton Kutcher.) Eventually, each of the 22 main characters come together in the main ballroom of the hotel to see RFK declare victory in the primary. What happens next may be well known but perhaps not the details.

BOBBY is a terrific, behind the scenes account of day that Robert F. Kennedy was shot in 1968. If you're expecting to see a lot of RFK, you'll be disappointed though the film intermixes many of his more important speeches and public appearances into the story through voice-overs and television news broadcasts. The cast could not be any better with the likes of Hopkins, Belafonte, Sheen, Hunt, Stone and Estevez leading a cast that is top notch down to the last person. The story is slow at times and includes some interchanges that really don't add to the movement of the plot. Of course, the backdrop of the historic Ambassador Hotel of 1968 is stunning, especially in light of the fact that it was torn down earlier this year to make way for a school. Sound familiar? The history of that place, having held several Academy Awards shows, hosted every president from Hoover to Nixon (who wrote his Checkers speech there) among other international dignitaries, and saw performers like Sinatra, Nat King Cole, Gene Kelly, Louis Armstrong and Judy Garland perform there. Sure they saved the Coconut Grove (where some of these events occurred) but the rest of the history, including the pantry where Kennedy was shot, are gone. Anyway, such a piece of history being torn down goes right to the need for more due diligence when it comes to historic preservation in our little corner of the world. OK, soapbox exited.

As the audience moves through the movie with the 22 member primary cast, they witness a number of apparently meaningless moments of a typical day for most of the characters. The audience is left to wonder what the connection might be, why is the focus on these 22 people? By the end of the film, they know. BOBBY is one of those films that makes you do research to discover what is true and what is not, to learn what happened that day and to read more about the man who entered that day with hopes of leading the country and ended the day barely clinging to life. Amazingly, BOBBY is not about Robert F. Kennedy but the way he and his assassination affected those around him.

E-Mail Wando: wando@Dubuque365.com

 

Happy Feet - A Film by George Miller (Mad Max, Lorenzo's Oil, Babe)


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In Happy Feet, Mumble (Elijah Wood) is a young Emperor Penguin who doesn't quite fit in. Instead of having his song, Mumble has happy feet. He tap dances his way around his fellow penguins and scares them off when he tries to carry a tune. His parents, Norma Jean (Nicole Kidman) and Memphis (Hugh Jackman) can't decide if it is an embarrassment or cute. His best friend, Gloria (Brittany Murphy) is the best singer in the group and Mumble is sweet on her, much like all of the other male penguins. When the leader of the Emperor Penguins (Hugo Weaving) casts him out of the community, Mumble befriends a trio of height challenged penguins known as the Adelie Amigos. Ramon (Robin Williams) is their wise-cracking leader and they quickly warm to Mumble's unorthodox dance moves. With their help and that of Lovelace (also Robin Williams), Mumble sets out to gain the respect of the Emperor Penguins by discovering why their supply of fish is dwindling.

Happy Feet begins as a somewhat cute kids animated movie but it never really catches wind in its sails. There are some funny moments but they were too few and far between. The political statement that the film makes regarding man's destruction of our natural habitat will fall on deaf ears with the audience for which the movie is geared. Additionally, some of the mean creatures are pretty intense and we even interviewed our favorite miniature movie critic, Molly Norton, and she agreed that the seal was "scary." It was all she could talk about. That shows that the movie does not resonate with kids nor adults alike. The best moments are the ones that include Williams' character, much like most films in which he appears or lends his voice. Of course, the computer graphics are phenomenal and, at one point when live actors join the mix, the audience is left to question whether the humans are real or not. That's effective computer animation. In any event, Happy Feet has a few moments that will stay with you but in general is a rental. Wait for the DVD on this one and then you can fast forward through the slightly scary parts for your kids.

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Tenacious D in The Pick of Destiny
A Film by Liam Lynch (Major Feature Film Debut)


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When Midwesterner JB (Jack Black) meets Kyle Gass (Kyle Gass), the greatest rock band of all time is formed: Tenacious D. Unfortunately, a lack of financial backing (and a lack of legitimate gigs) leaves our two heroes seeking an avenue to raise money for the rent. That leads them to a local bar which hosts an open mic night with a cash prize. Their initial performance meets with mixed reviews and they decide they need a special something to win the money. Intense research reveals that the greatest rock bands of all time (The Who, The Rolling Stones, AC/DC) all had great guitarists who all used the same pick: A green pick with devil horns that becomes known as the Pick of Destiny. Their search for said pick, their theft of it and their confrontation with Satan are the driving plot points that lead to Tenacious D creating the greatest rock song of all time. Along the way, Jack and Kyle run into Ben Stiller, Dio, Meatloaf and Tim Robbins, among others.

Tenacious D in The Pick of Destiny is by far the greatest rock opera of the year. Of course, we’re not sure another one has been produced this year (or the last couple at least). Jack Black has been called a comedic genius by such lofty media outlets as the Dallas Morning Star-Tribune (Free Edition) and the Peoria Times. Who’s to argue with the experts? Black is a riot and a scene stealer in just about every movie in which he has appeared but this is one in which he is required to be the lead. The Pick of Destiny is no different. The movie is much more rock opera than expected, especially based on the trailers. The story moves along, driven by the musical numbers that contain colorful metaphors too numerous to count. The Tenacious D story is actually not that interesting until you add in the Devil, Stiller and Robbins, who all steal the scene from Black, something that can only happen when he is the lead. Some brilliant moments and some great Tenacious D songs make The Pick of Destiny an enjoyable romp for fans of the group (and Black) but the sophomoric humor and vulgarity of the film will be lost on the general public. Figuring out a rating for that is not an easy task. Fans of Tenacious D would probably give this film a 4 (possibly a 5 if they are really generous) but even for this part-time Tenacious D fan who has seen them in concert, it still only gets a…
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Casino Royale - A Film by Martin Campbell (GoldenEye)


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Bond is back ... and in many ways, he’s better than ever.
Casino Royale reboots the James Bond franchise, seemingly throwing away the first 20 films and starting fresh with the early days of James Bond’s (Daniel Craig) career as an MI6 agent. After receiving his license to kill, Bond is assigned to shadow Le Chiffre (Mads Mikkelsen), an international financier of terrorists. Le Chiffre has found himself in a deep predicament after losing over $100 million of clients’ money, and he stages a high-stakes poker tournament at Casino Royale in Montenegro. Bond, the best poker player in the service, is bankrolled by the government to play in the game, with the hopes that he can win the tournament, ensure that Le Chiffre doesn’t get his money and then force him to take refuge in the British government for protection. Assigned to Bond is the stunning Treasury officer Vesper Lynd (Eva Green), who is responsible for looking after Bond’s $10 million. When everyone is all in, what will be in the cards?

Casino Royale is precisely what the James Bond franchise needed: A kick in the pants to change directions. The film is a distinct shift in tone from its recent predecessors (does anyone remember the invisible car from Die Another Day?), with the emphasis moved away from action set pieces and towards gritty characters and drama. After all, the major focal point of the film’s second half is a poker game ... and the filmmakers found a way to actually make it intense and exciting. Daniel Craig is a spot-on choice for the recently promoted Bond, bringing a hard-edged, cocky and cold attitude to the secret agent. This is not the glib, snarky Bond of the past twenty years, but rather a Bond who is, at his core, a cold-blooded killer, a blunt instrument. Further playing up the “rookie” aspect of the character, Casino Royale is daring in that it shows James Bond making mistakes and putting his ego before the job, still learning the ropes that come alongside a license to kill. The rest of the cast is excellent, with the gorgeous Eva Green playing Vesper Lynd spot-on, and the always-enjoyable Giancarlo Giannini having a fun turn as Mathis, Bond’s contact in Montenegro. Casino Royale is easily the best James Bond film since On Her Majesty’s Secret Service, and it’s one of the franchise’s best entries. This isn’t your daddy’s Bond. It’s better.
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Stranger Than Fiction - A Film by Marc Forster (Monsters Ball)


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Harold Crick (Wil Ferrell) is your average IRS agent. He gets up every morning to the alarm of his wristwatch, brushes his teeth, showers, gets dressed and goes to work. His life is ordinary and routine. That is until he begins hearing a voice in his head. But this is not like any other voice, this is the voice of a woman who is narrating his life. This of course happens on the same day as he meets local baker and activist, Ana Pascal (Maggie Gyllenhaal), whom he is auditing. He is attracted to her and frustrated by her hatred for him and the fact that his job prevents him from being able to approach her. As he wrestles to determine what is happening, the voice inexplicably predicts his imminent and untimely death. This sends Harold into a frantic search for what is happening to him. He seeks council from the company shrink (Tom Hulce), a professional psycho-therapist (Linda Hunt) and eventually literary Professor Jules Hilbert (Dustin Hoffman.) As it appears Harold's life is part of a story, Professor Hilbert becomes an invaluable confidant, helping him figure out what is going on. At the same time, author Karen Eiffel (Emma Thompson) is struggling with a 10-year bout of writer's block. She has just been given a new assistant in the person of Penny (Queen Latifah.) Eiffel's new book, Death and Taxes, centers on an IRS agent named Harold Crick. That is where the story begins.

With a superb screenplay written by newcomer Zach Helm and phenomenal direction by Marc Forster, Stranger than Fiction is a movie you might not hear a lot about but you should. To try to describe this film in a brief synopsis and then to review it in one brief paragraph is a monumental task but here it goes. This movie is an inspirational story that takes the audience from comedy to tragedy and leaves them with a true sense of inspiration to re-evaluate how their lives may be falling into the category of mundane. The world that Forster creates for Harold is perfect. The simplicity of his apartment, the analytical numbers that fly around his head as he goes about his typical day, the cubicle hell that is his office all fit the image of what we think the world of an IRS agent would be like. Adding to the perfection of this fictional world are the characters that inhabit it. Ferrell, Gyllenhaal, Hoffman, Thompson and Latifah own their characters. Even the minor supporting actors like Hunt and William Dick (as Harold's co-worker and best friend) are great choices by the casting agent. So many small nuances about this film add to the overall success of the story and its ability to draw in the audience. This film deserves to be recognized when award season comes along especially for the script but also for some of the subtle but effective performances. We believe you will walk out of the theater inspired. We certainly did, talking about the film the whole way home.

E-Mail Wando: wando@Dubuque365.com

Borat - A Film by Larry Charles (Seinfeld)


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In this film offshoot of Da Ali G Show, Kazakh television journalist Borat Sagdiyev (Sacha Baron Cohen) is dispatched by his government to the United States of America (“US and A,” in his accent) to produce a documentary about “the greatest country in the world.” Upon arriving in New York, Borat stumbles upon a late-night showing of Baywatch in his hotel room ... and he discovers the existence of the delectable Pamela Anderson. Borat quickly abandons the documentary project and instead begins a cross-country trek, with his producer Azamat (Ken Davitian) in tow, to find Pamela in California and to marry her. Along the way, he encounters a wide variety of assorted strangers, all of whom react in different ways to his Kazakhstani mannerisms. Three frat boys in a Winnebago, a humor coach, a driving instructor, bull riders, etiquette instructors, feminists, a prostitute ... Borat encounters people from all walks of life, and by the time he reaches California, he’s left a trail of destruction from coast to coast.

Borat is a brilliant film, one of the funniest in recent memory and indeed one of the funniest in the past twenty years. But the rub of Borat is that there’s a lot more going on beneath the surface. The character of Borat is an anti-Semitic, misogynistic, nymphomaniac racist, and these traits come out in nearly every meeting he has. The reactions to Borat run the gamut of outright shock and disgust to, startlingly, agreement, with just about every possible reaction in-between being seen as well. By being so extreme (at one point, Borat walks into a gun store and asks for the best gun with which to kill a Jew), the movie is an incisive commentary upon our culture. The whole movie, whenever anyone reacts to Borat with anything other than extreme disgust, is satirizing American ignorance of other cultures. When the driving instructor accepts that, in Borat’s country, women can’t choose who they have sex with, that’s a satire of cultural relativism brought to an extreme. It’s a satire that is necessary in today’s day and age, forcing us to take a hard look at cultural prejudices that still run rampant today. Powered by the flawless performance by Sacha Baron Cohen (himself a devout Cambridge-educated Jew), Borat is one of the most intelligent comedies ever produced.

E-Mail Wando: wando@Dubuque365.com

Flushed Away - A Film by David Bowers (Directorial Debut)


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From the production team that brought "Wallace & Gromit: The Curse of the Were-Rabbit" comes Flushed Away, a computer-animated tale set in the sewers of London. The film centers on Roddy (Hugh Jackman), an upper class rat living in a cage in the Kensington section of the city. When his family goes on vacation, Roddy is left alone to do whatever he wants, whenever he wants, having complete reign over the house. His simple life is shattered when, up from the drain in the kitchen sink, comes Sid (Shane Richie), a vulgar, sewer rat who finds Roddy's life to be quite desirable. Roddy tries to trick Sid into going back into the sewer by flushing him down the toilet but is himself flushed instead. Once beneath the city, Roddy runs into Rita (Kate Winslet), a wise-cracking, "sewer" savvy female rat and captain of the Jammy Rodger. She is in possession of a rare ruby that she stole from The Toad (Ian McKellen.) The Toad desperately wants the ruby back and will stop at nothing to get it back. The Toad enlists his French cousin Le Frog (Jean Reno) to retrieve the ruby and something else of great value for him. With that, the race is on through the sewers of London.

Flushed Away is visually quite stunning and, in computer-animation, creates a world with the same feel as the clay-mation world of Wallace & Gromit. The characters are drawn with the same imperfections that the clay-mation Wallace and Gromit have and similar features. Still, the computer allows so much more as far as action and effects that would be impossible with stop-action clay-mation. Unfortunately, Flushed Away is a lackluster outing with few really funny moments and a story that holds little to no interest. Sure, Jackman and Winslet do fine lending their voices to the lead rats but The Toad and Le Frog are the only primary characters that even remotely got a laugh. Oh yeah, them and the slugs who provide the ubiquitous musical interludes throughout the film. It is doubtful that even children would find this movie to be all that entertaining. The kernels it earns are due largely to the quality of the animation and Reno and McKellen. Otherwise, this one is pretty forgettable. Save the money and wait for either of the two penguin films being released in the near future or some of the other kid-fair highlighted in the previews preceding this mediocre outing.

E-Mail Wando: wando@Dubuque365.com

The Prestige - A Film by Christopher Nolan (Memento, Batman Begins)


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A tale of rivalry, revenge and illusion, The Prestige is the story of two successful illusionists in London around the turn of the last century.  From the earliest meeting as young, up-and-coming magicians, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) were fierce competitors even as they shared the stage.  When Angier's wife, an on-stage assistant in the performance, is killed as part of a trick gone horribly wrong, the two part ways and open separate acts.  Angier blames Borden for the death of his wife and is jealous of the seemingly impossible feats that Borden is able to produce on stage.  Borden, on the other hand, begins a family and relishes the fact that his illusions have Angier baffled.  As time passes, Angier goes on a search for the answers to Borden's greatest illusion that takes him to the doorstep of Nikola Tesla (David Bowie) in Colorado Springs.  Has he found his answer or been tricked by the master magician once again?  As the story unfolds, it is a constant competition to see who can outperform the other, who can win the girl (Scarlett Johansson as Olivia) and who will ultimately be determined to be the best.  In the end, lives will be destroyed and egos will be shattered.  Are you watching closely?

Following closely on the heels of The Illusionist starring Edward Norton comes The Prestige.  Yet again, two studios came up with the same idea at roughly the same time.  Interesting.  In any event, this one joins The Illusionist as being a top-notch suspense and intrigue thriller.  The trailer and the movie itself continually ask us "are you watching closely" and that could not be more true.  The twists and turns in this film exceed those of The Illusionist and carry the audience on an interesting and visually stunning ride through a different age where slight of hand ruled the day rather than computer graphic wizardry.  The performances are, to be expected, top rate with Jackman, Bale, Johannson and the supporting cast including Academy Award Winner Michael Caine as their mentor and David Bowie as real life scientist Tesla.  Much like his other films, Director Nolan creates a dark, mysterious backdrop from which the story can unfold.  Fans of magic tricks and illusions will marvel at the contraptions that were concocted for this film, the majority of which probably were in use or still are.  Are you watching closely?  You better be because you will not want to miss a moment as the story unfolds.
E-Mail Wando: wando@Dubuque365.com

 

The Guardian - A Film by Andrew Davis (Under Siege, Collateral Damage, The Fugitive)


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When his fellow crewmates and friends perish while on duty, rescue swimmer Ben Randall (Kevin Costner) must take some time off from active duty.  He is assigned to serve as teacher to the next class of Coast Guard Rescue Swimmers.  His unorthodox methods of teaching are often met with resistance but he perceivers, hoping to train a generation of swimmers who put the lives of others ahead of their own.  His class is a mix of two-time losers, optimistic kids and a few recruits looking to find a purpose.  Cocky high school swimming champion Jake Fischer (Ashton Kutcher, Cedar Rapids native and husband to Demi Moore) is among his class and is carrying around a rather large chip on is shoulder.  His antics, including missing curfew to spend time with a local woman (Emily Thomas as Melissa), exacerbate Randall but he sees something in this young man, something special that could make him the best rescue swimmer.  Along the journey to making Jake an elite officer, Randall may find the answers he seeks as well and perhaps lead to a reunion with his estranged wife (Sela Ward.)

The trailers for The Guardian have caught the attention of movie-goers for months.  The combination of exciting action sequences, really quite extraordinary acting and the emotional storyline embody what we only caught glimpses of in the trailers.  Costner and Kutcher put in their best performances.  For Costner, The Guardian is a career re-building effort and, at least to our recollection, is one of the few good films in which he has been the main character and does not revolve around sports (see Waterworld and The Postman for the bad and Bull Durham, Field of Dreams and Tin Cup for the good.)  Kutcher surprises in his role.  Sure, portraying a cocky young man with a chip on his shoulder is not much of stretch for our fellow Iowan but he pulls off some great comedic and dramatic moments.  Perhaps our friend Ashton has finally matured.  When you view this film, it is hard to not get caught up in the emotion.  Whether it is during the action scenes as they desperately try to save as many lives as possible or the personal situations that each of the two heroes have to endure, the filmmakers did a great job setting the scene and creating the connection to them that makes the audience react when good (and bad) things happen to them.  A rare occurrence these days, The Guardian lived up to the trailer.  Be forewarned, though, to empty your bladder before you go in.  With this being the COAST GUARD, watching the waves pound against the shore after a JUMBO Pepsi could make the last 30 minutes of this movie pure torture.  And trust us when we say you don't want to miss a minute as the movie draws to a close.

 

E-Mail Wando: wando@Dubuque365.com

Jackass: Number Two A Film by Jeff Tremaine (Jackass: The Movie)


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Zero Kernels for people with good taste and decency... that's not us.


Five Kernels for anyone who wants to laugh themselves silly... that is us.

If the thought of watching a couple of guys get totally, ridiculously owned by a bull doesn't amuse you in the slightest, feel free to stop reading this review right now, for you already know what the movie's about.

Now that we've weeded out the cultured people who actually have taste from the crowd, let's get down to business. Jackass: Number Two is both the funniest and most repulsive film since ... well, Jackass: The Movie. If for some reason you're unaware of the premise, it's rather simple: For 95 minutes, a crew of idiots subject themselves to some of the most painful and hilarious experiences you can imagine. It's essentially social Darwinism at its finest: Survival of the least stupid. Attaching a rocket to a shopping cart, being in a locked limousine filled with bees, standing in front of a land mine as it detonates ... no stunt is too extreme for this crew, comprising such "luminaries" as Johnny Knoxville, Steve-O and Bam Margera. Joining them throughout are numerous celebrities, from noted indie film director John Waters to Oscar-winning hip-hop group (it pains us to write that) Three Six Mafia, skating legend Tony Hawk and BMX daredevil Mat Hoffman. Of course, the extreme nature of the stunts (we can't print the vast majority of them!) lends to a rather gross-out, revolting tone throughout the film (not just for the viewers, but the cast, as there's quite a bit of vomiting in this film). Let's put it this way: Having one's backside branded is *mild* when compared to much of the film's content. And yet, as long as one has the stomach to withstand such material, this movie will have you in physical pain from laughing so hard.