We
Are Marshall
A Film by McG (Charlie's Angels, Charlie's Angels: Full Throttle)

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The
inspiring, true story of the Marshall University
football team, We Are Marshall begins shortly before
a 1970 plane crash that killed 75 members of the
football team, coaching staff and booster club. That
singular moment plummets the university and the city
of Huntington, West Virginia into a deep despair
that had the potential to continue to devastate the
community forever. After considering discontinuing
the football program, the university board votes
to rebuild the program on the backs of the four remaining
players lead by Nate Ruffin (portrayed by Anthony
Mackie) and an assistant coach (Matthew Fox as Red
Dawson) who happened to not be on that fateful flight.
The university president (David Strathairn) thus
begins the painful task of finding a new head coach.
Unbelievably, Jack Lengyel (Matthew McConaughey),
a small time coach in Ohio, contacts the college
and impresses the president. Eventually, they convince
the NCAA to allow them to play freshmen and their
journey toward healing the university and community
at-large begins.
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We
Are Marshall is a powerfully emotional movie set against the
backdrop of college football. Anyone who has followed Division
II football is well aware of the success of the Marshall Thundering
Herd football team beginning in the 1980s but few may be aware
of how close the program came to closing up shop after the
tragic plane crash depicted at the beginning of the film. It
may have taken over a decade but the Marshall Thundering Herd
became an unstoppable force in Division II, so much so that
they have been elevated to the next level.
This
script and how it is brought to the screen is tremendous, carrying
the audience from those horrifying moments through the grief
that followed and the rebirth that happened at the hands of
some brave men who followed their hearts more than their minds.
This movie will pull you in, make you cry, laugh and cheer
whether you want to or not. It is doubtful that there were
any eyes that remained completely dry throughout the movie.
This is not your typical sports/football movie but should appeal
to football aficionados. The cast live within their characters
and the movie moves quickly, never allowing the audience to
regroup. It is one emotional moment after another until the
climax: the first home game of the new Marshall Thundering
Herd.
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Night
at the Museum - A Film by Shawn Levy (The
Pink Panther - 2006, Cheaper by the Dozen)

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Larry
Daley (Ben Stiller) is a man with plenty of great
ideas, just poor execution. He is on the
verge of being evicted for the umpteenth time,
once again uprooting his 10 year old son Nick (Jake
Cherry.) His ex-wife (Kim Raver) encourages
him to take on honest work in order to allow him
to keep custody of Nick so Larry takes a job as
the night security guard at the American Museum
of Natural History in New York. He replaces
long time night security guards Cecil (Dick Van
Dyke), Gus (Mickey Rooney) and Reginald (Bill Cobbs.) After
approving Larry as their replacement, the three
gentlemen turn over their keys, a flashlight and
instructions. Little does Larry know that
his first night will be more than he expected as
all of the displays come to life and take over
the museum, including a Tyrannosaurus Rex, Teddy
Roosevelt (Robin Williams) and Sacagawea (Mizuo
Peck.) As he quickly learns, his job is less
about keeping burglars out as it is to keep the
displays in.
Night
in the Museum is a light hearted comedy that is
definitely designed to appeal to the pre-teen audience
with cowboys, Roman gladiators, lions, dinosaurs,
monkeys and Attila the Hun. The subplot about
Larry trying to gain the respect of his young son
plays second fiddle to the action in the museum
after dark. Robin Williams is funny as usual
but this time without resorting to his more slapstick
routines. Stiller once again proves that
he is better as the comedic foil than the lead. There
are some laugh-out-loud moments but they really
are few and far between for adults. Which
brings us back to our original comment about this
film being designed to appeal to pre-teens. For
most adults, this will be a 2 Kernel film. For
the younger audience among us (and perhaps the
adults viewing it with them), this is probably
a 3 Kernel film. Either way, it was a halfway
decent distraction and did make us chuckle.
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Eragon
A Film by Stefen Fangmeier (Directorial debut)

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Eragon
(Edward Speleers) is a farm boy living in the village
Carvahall in the fictional and magical world of Alagaësia,
ruled by the maniacal King Galbatorix (John Malkovich).
When the 17-year-old boy discovers a polished blue
stone, he thinks he’s merely stumbled upon
a nice treasure for a farm boy. His delight turns
to shock, however, when this stone turns out to be
a dragon egg, when dragons had been thought to be
extinct for ages. A dragon named Saphira emerges
from the egg, and Eragon’s life is turned upside-down,
as he has made the discovery of a lifetime, a legacy
nearly as old as the Empire itself. When one day
he finds his uncle dead, Eragon sets out to avenge
him. Accompanied by a wise but enigmatic storyteller
named Brom (Jeremy Irons), Eragon and Saphira take
up the legacy of legendary dragon riders, learning
the skills of magic, swordfighting and dragon-riding
in preparation for his revenge against those responsible
for the death of his family. He eventually joins
the forces of the Varden, rebels determined to overthrow
the king Galbatorix, and this journey will culminate
in an epic battle that may determine the future of
the land.
The
success of the book series Eragon surprised many,
as it came from the mind of a 15-year-old boy (the
author began writing the book when he was 15; he
was 19 when it was first published). It has captured
an army of followers all awaiting the same experience
from the new film. Enter the real 15-year-olds, the
hollywood movie makers. This film deserved another
hour of character development. It’s not by
any means the same depth of tale as, for example,
Lord of the Rings by any stretch, but the books’ success
came from the believability and likeability of the
characters: A group of vulnerable and, in the end
because of their fears, courageous heroes. Not so
in Eragon the movie. While the cast is strong, with
talented actors, they all look vaguely embarrassed
to be in a movie with such an insipid script. (Though
Irons, with Dungeons & Dragons already under
his belt and now this tripe, really needs to get
new management.) With a group of 7 to 10-year-olds,
the consensus in the theater lobby was, “Cool
dragon, why didn’t they follow the book?” In
the end Eragon, the movie, is a shame for its young
fans. It’s another glitzy over-produced action
affair devoid of the true story, with occasional
nods to readers of the books, rather than a memorable
entertainment experience. Nice acting and beautifully
shot, but I only wish that next time they would have
listened to the 15-year-old.
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Rocky
Balboa
A Film by Sylvester Stallone

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In this (apparent) conclusion to the Academy Award-winning Rocky
saga, legendary boxer Rocky Balboa (Sylvester Stallone, obviously)
has found something of a life outside of the ring. Following
the death of his wife, Adrian, due to cancer, Rocky has opened
up an Italian restaurant and spends his nights regaling customers
with old fight stories from days gone by. But the heart of
the fighter is rekindled when ESPN runs a simulated boxing
match pitting Rocky in his prime against current champion Mason “The
Line” Disxon (Antonio Tarver) ... and the computer says
Rocky would win. After Rocky gets his boxing license back,
hoping to get into some local competition, Dixon’s promoters
approach Rocky and make him a tempting offer: A 10-round exhibition
in Las Vegas with the champ. Against the advice of both his
son Robert (Milo Ventimiglia) and Paulie, Rocky accepts the
challenge and reunites with trainer Duke to get back into fighting
shape.
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Amazingly,
for a sequel that was seemingly not asking to be made, Rocky
Balboa might be the best entry in the series after the original
film. It provides a fitting and genuine conclusion to the long
saga that is the Italian Stallion ... and let us just say,
for the record, for a 60-year-old man, Sylvester Stallone is
ripped with muscles that would make any man envious. This is
a movie that had the potential to be a real joke — a
60-year-old climbing into the ring with a 30-year-old and hoping
to be taken seriously? But between Stallone’s ridiculous
physical conditioning and the great efforts made to acknowledge
that yes, this is a man who is well past his fighting prime,
Rocky Balboa never delves into the realm of self-parody. It’s
great to see old friends like Paulie and Duke again (Duke providing
his same old bad-ass treatment), and the relationship between
Rocky and his son is a highlight of the film. Let’s be
honest, here: The Rocky movies have never been about making
high art or really daring epics. They’re about an ordinary
man doing extraordinary things, going the distance against
unbelievable odds. Or, as Rocky himself puts it, “It’s
about how hard you can get hit, and keep moving forward.” So
sit back, enjoy the standbys like that classic theme and the
inevitable training montage, and step into the ring with Rocky
one last time. (And let’s all try to forget about Rocky
V.)
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APOCALYPTO
A Film by Mel Gibson (Braveheart, The Passion of the Christ)

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The
world of Jaguar Paw (Rudy Youngblood) is torn apart
in the rainforests of Mexico when a Mayan scout team
ransacks his village, murdering half the villagers
and taking the remainder capture and leading them to
the Mayan capital city. Jaguar Paw along with
several of his brethren become fodder for a civilization
on the verge of existence. The Mayans, experiencing
a drop in crop production, are desperate to appease
their gods through human sacrifice and rituals. Jaguar
Paw is destined to be yet another victim until fate
steps in. After managing to escape the city,
he begins a perilous journey back home to save his
wife, his son and his unborn second son.
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Apocalypto
is a pretty amazing production, especially considering that
the entire cast is made up of indigenous peoples and because
of the unique locations used. The film is shot almost
entirely in one of the last remaining rainforests in Mexico. The
cinematography is stunning with some incredible vistas. The
tribal people in the village are believable, living simple
lives in thatched huts, totally focused on family. The
Mayan people are much more sophisticated, living in a world
full of color and building cities of stone. These worlds
collide, almost as a prelude to the greater threat yet to be
experienced, the introduction of Europeans. The film
does not give much of a sense of the Mayan culture other than
the violence that everyone agrees dominated the final days
of their civilization. It is appropriate in this story
as the focus is on Jaguar Paw and his experiences with them. The
violence is at times jarring but realistic and probably accurate. This
was a violent time and the Mayans were a violent culture at
the end. It is part of the reason the Europeans took
issue with them. The story is more about the importance
of family than it is about the Mayans. As that, it is
successful but the extent to which their world is recreated
is somewhat wasted on a story that could have been told in
modern times. Still, the movie is riveting and quite
stunning.
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The
Pursuit of Happyness
A Film by Gabriele Muccino (First English Language Feature Film)

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The
Pursuit of Happyness preoccupies Chris Gardner (Will
Smith), a bright and talented salesman who is struggling
to make ends meet. His wife, Linda (Thandie Newton),
is working double shifts to keep food on the table
for them and their 5-year old son, Chris (played by
Smith's own son, Jaden.) The rent is past due,
their taxes are in arrears and a backlog of unpaid
parking fines loom over this young family. A
simple series of events leads Chris to decide that
becoming a stock broker at Dean Witter Reynolds is
the answer. Unfortunately, the intern program
has 20 applicants and only one will eventually get
the nod and become a broker. As he struggles
to make his way through the program, Chris and his
son must survive the departure of Linda, the loss of
their home, an unimaginative day care provider and
the impounding of their car. Is there a light
at the end of this very dark tunnel? Will their
pursuit end in the happiness they so desperately seek?
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The
Pursuit of Happyness rests firmly on the shoulders of Will
Smith. His powerful performance as a down-and-out young
African American man in 1981 San Francisco carries this story
from start to finish. He wears his emotions on his sleeve
and his devotion to his son is what drives him. His real-life
son makes an effective debut, being the naïve but optimistic
5-year old who does not understand what is happening around
him but knows his father is doing his best. The story
trudges along at certain points. While necessary, there
are moments where enough is enough. The audience quickly
comes to appreciate the plight of this man and some of the
reinforcing events become repetitive. Perhaps that was
the point but it made for a lesser movie. The overriding
story is inspirational and the payoff is worth the wait as
the reaction of the audience proved. Smith could easily
hear his name announced as a Best Actor nominee when the Academy
announces their nominees in 2007. Smith has become a
strong leading man over the past couple years and The Pursuit
of Happyness may be his breakthrough role with critics.
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The
Holiday
A Film by Nancy Meyers (Something's Gotta Give, What Women Want)

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As
Christmas approaches, two women on opposite sides of
the world realize they need a drastic change to make
it through The Holiday. Iris (Kate Winslet) is
a writer for a major newspaper in London and is in love
with a man who is engaged to someone else but cannot
leave her alone. Amanda (Cameron Diaz) is a movie
trailer producer living in LA who just found out that
her live-in boyfriend is having an affair. In a
desperate move to take her mind off her troubles, Amanda
logs onto a website where people can swap houses for
a two week period. She stumbles upon Iris' house,
contacts her and they agree to do just that. So,
having never met, the two women exchange houses just
prior to Christmas. Upon arrival, Iris is thrilled
with the fancy digs that Amanda owns and Amanda is comforted
by the charming cottage that Iris inhabits. Little
does either woman know that this simple change in location
will lead to life-changing relationships.
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The
Holiday is a great date movie and is bound to become somewhat
of a holiday classic, even though Christmas plays second fiddle
to the love stories. The love story that develops between
Amanda and Iris' brother Graham (Jude Law) takes center stage
shortly after Amanda's arrival in England. Iris generates
a relationship with a retired scriptwriter (Eli Wallach) and
eventually warms up to Miles (Jack Black), a movie score writer
who knows Amanda. The movie is definitely going to appeal
to women way more than men but there is sufficient humor to keep
the guys somewhat interested if they have chosen to go to the
movie on a date (or were dragged to it.) The film does
have some slower moments toward the beginning and some good old
fashioned male bashing. Still, Amanda and Iris are not
perfect either and we are left not knowing exactly what happened
to cause their previous relationships to fail. Still, the
way that their new relationships develop is fun to watch. Diaz
is not a great actress, and that carries through here. Winslet
is a much better actress and that is apparent here. Law
does another fine job as the affable English love interest and
Black surprises as a witty, good guy. Some nice settings, great
subplots such as Wallach as the retired scriptwriter and male
characters who are good guys keep the movie moving along and
prevent it from becoming the quintessential woman's film where
no guys are any good.
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BOBBY
A Film by Emilio Estevez (The War at Home, Wisdom,
Men at Work)

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The
date: June 4, 1968. The location: Los Angeles, more
specifically the landmark Ambassador Hotel. The occasion:
the California primary in the 1968 presidential election.
BOBBY is the story of that fateful day in 1968 when
Robert F. Kennedy won the California primary, seemingly
clinching the Democratic nomination for president,
only to be cut down in his prime by Sirhan, Sirhan
in the kitchen of the Ambassador Hotel right after
his victory speech for the primary. The story follows
22 individuals who, at the beginning of that day, had
no idea that their lives would be so radically affected
by the events of that night.
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Nelson
(Harry Belafonte) is retired and hangs around the hotel lobby
most of the day, playing chess with John Casey (Anthony Hopkins),
the former hotel manager. Paul (William H. Macy) is the current
manager. His marriage to Miriam (Sharon Stone), manager of the
hotel beauty parlor, is on shaky ground due to his affair with
hotel switchboard operator Angela (Heather Graham.) Other notable
hotel employees are the racist food and beverage manager, Timmons
(Christian Slater), chef Robinson (Laurence Fishburne) and bus
boy Jose (Freddy Rodriguez.) Guests of the hotel that day include
a young couple who is marrying to keep the young man out of active
duty (Lindsey Lohan and Elijah Wood); Kennedy campaign financier
Jack (Martin Sheen) and his young wife Samantha (Helen Hunt);
and nightclub performer Virginia Fallon (Demi Moore) and husband/manager
Tim (Emilio Estevez.) Joining the mix of people coming in and
out of the hotel over those 24 hours are Kennedy campaign staffers
(Joshua Jackson, Nick Cannon and Shia LeBeouf) and a drug dealer
(Ashton Kutcher.) Eventually, each of the 22 main characters
come together in the main ballroom of the hotel to see RFK declare
victory in the primary. What happens next may be well known but
perhaps not the details.
BOBBY is a terrific, behind the scenes account of day that Robert F.
Kennedy was shot in 1968. If you're expecting to see a lot of RFK, you'll
be disappointed though the film intermixes many of his more important
speeches and public appearances into the story through voice-overs and
television news broadcasts. The cast could not be any better with the
likes of Hopkins, Belafonte, Sheen, Hunt, Stone and Estevez leading a
cast that is top notch down to the last person. The story is slow at
times and includes some interchanges that really don't add to the movement
of the plot. Of course, the backdrop of the historic Ambassador Hotel
of 1968 is stunning, especially in light of the fact that it was torn
down earlier this year to make way for a school. Sound familiar? The
history of that place, having held several Academy Awards shows, hosted
every president from Hoover to Nixon (who wrote his Checkers speech there)
among other international dignitaries, and saw performers like Sinatra,
Nat King Cole, Gene Kelly, Louis Armstrong and Judy Garland perform there.
Sure they saved the Coconut Grove (where some of these events occurred)
but the rest of the history, including the pantry where Kennedy was shot,
are gone. Anyway, such a piece of history being torn down goes right
to the need for more due diligence when it comes to historic preservation
in our little corner of the world. OK, soapbox exited.
As the audience moves through the movie with the 22 member primary cast,
they witness a number of apparently meaningless moments of a typical
day for most of the characters. The audience is left to wonder what the
connection might be, why is the focus on these 22 people? By the end
of the film, they know. BOBBY is one of those films that makes you do
research to discover what is true and what is not, to learn what happened
that day and to read more about the man who entered that day with hopes
of leading the country and ended the day barely clinging to life. Amazingly,
BOBBY is not about Robert F. Kennedy but the way he and his assassination
affected those around him.
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Happy
Feet - A Film by George Miller (Mad Max,
Lorenzo's Oil, Babe)

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In
Happy Feet, Mumble (Elijah Wood) is a young Emperor
Penguin who doesn't quite fit in. Instead of having
his song, Mumble has happy feet. He tap dances his
way around his fellow penguins and scares them off
when he tries to carry a tune. His parents, Norma
Jean (Nicole Kidman) and Memphis (Hugh Jackman) can't
decide if it is an embarrassment or cute. His best
friend, Gloria (Brittany Murphy) is the best singer
in the group and Mumble is sweet on her, much like
all of the other male penguins. When the leader of
the Emperor Penguins (Hugo Weaving) casts him out
of the community, Mumble befriends a trio of height
challenged penguins known as the Adelie Amigos. Ramon
(Robin Williams) is their wise-cracking leader and
they quickly warm to Mumble's unorthodox dance moves.
With their help and that of Lovelace (also Robin
Williams), Mumble sets out to gain the respect of
the Emperor Penguins by discovering why their supply
of fish is dwindling.
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Happy
Feet begins as a somewhat cute kids animated movie but it never
really catches wind in its sails. There are some funny moments
but they were too few and far between. The political statement
that the film makes regarding man's destruction of our natural
habitat will fall on deaf ears with the audience for which
the movie is geared. Additionally, some of the mean creatures
are pretty intense and we even interviewed our favorite miniature
movie critic, Molly Norton, and she agreed that the seal was "scary." It
was all she could talk about. That shows that the movie does
not resonate with kids nor adults alike. The best moments are
the ones that include Williams' character, much like most films
in which he appears or lends his voice. Of course, the computer
graphics are phenomenal and, at one point when live actors
join the mix, the audience is left to question whether the
humans are real or not. That's effective computer animation.
In any event, Happy Feet has a few moments that will stay with
you but in general is a rental. Wait for the DVD on this one
and then you can fast forward through the slightly scary parts
for your kids.
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Tenacious
D in The Pick of Destiny
A
Film by Liam Lynch (Major Feature Film Debut)

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When
Midwesterner JB (Jack Black) meets Kyle Gass (Kyle
Gass), the greatest rock band of all time is formed:
Tenacious D. Unfortunately, a lack of financial backing
(and a lack of legitimate gigs) leaves our two heroes
seeking an avenue to raise money for the rent. That
leads them to a local bar which hosts an open mic
night with a cash prize. Their initial performance
meets with mixed reviews and they decide they need
a special something to win the money. Intense research
reveals that the greatest rock bands of all time
(The Who, The Rolling Stones, AC/DC) all had great
guitarists who all used the same pick: A green pick
with devil horns that becomes known as the Pick of
Destiny. Their search for said pick, their theft
of it and their confrontation with Satan are the
driving plot points that lead to Tenacious D creating
the greatest rock song of all time. Along the way,
Jack and Kyle run into Ben Stiller, Dio, Meatloaf
and Tim Robbins, among others.
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Tenacious
D in The Pick of Destiny is by far the greatest rock opera of the
year. Of course, we’re not sure another one has been produced
this year (or the last couple at least). Jack Black has been called
a comedic genius by such lofty media outlets as the Dallas Morning
Star-Tribune (Free Edition) and the Peoria Times. Who’s to
argue with the experts? Black is a riot and a scene stealer in
just about every movie in which he has appeared but this is one
in which he is required to be the lead. The Pick of Destiny is
no different. The movie is much more rock opera than expected,
especially based on the trailers. The story moves along, driven
by the musical numbers that contain colorful metaphors too numerous
to count. The Tenacious D story is actually not that interesting
until you add in the Devil, Stiller and Robbins, who all steal
the scene from Black, something that can only happen when he is
the lead. Some brilliant moments and some great Tenacious D songs
make The Pick of Destiny an enjoyable romp for fans of the group
(and Black) but the sophomoric humor and vulgarity of the film
will be lost on the general public. Figuring out a rating for that
is not an easy task. Fans of Tenacious D would probably give this
film a 4 (possibly a 5 if they are really generous) but even for
this part-time Tenacious D fan who has seen them in concert, it
still only gets a…
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Casino
Royale -
A Film by Martin Campbell (GoldenEye)

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Bond
is back ... and in many ways, he’s better than
ever.
Casino Royale reboots the James Bond franchise, seemingly throwing
away the first 20 films and starting fresh with the early days
of James Bond’s (Daniel Craig) career as an MI6 agent.
After receiving his license to kill, Bond is assigned to shadow
Le Chiffre (Mads Mikkelsen), an international financier of terrorists.
Le Chiffre has found himself in a deep predicament after losing
over $100 million of clients’ money, and he stages a high-stakes
poker tournament at Casino Royale in Montenegro. Bond, the best
poker player in the service, is bankrolled by the government
to play in the game, with the hopes that he can win the tournament,
ensure that Le Chiffre doesn’t get his money and then force
him to take refuge in the British government for protection.
Assigned to Bond is the stunning Treasury officer Vesper Lynd
(Eva Green), who is responsible for looking after Bond’s
$10 million. When everyone is all in, what will be in the cards?
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Casino
Royale is precisely what the James Bond franchise needed: A kick
in the pants to change directions. The film is a distinct shift
in tone from its recent predecessors (does anyone remember the
invisible car from Die Another Day?), with the emphasis moved away
from action set pieces and towards gritty characters and drama.
After all, the major focal point of the film’s second half
is a poker game ... and the filmmakers found a way to actually
make it intense and exciting. Daniel Craig is a spot-on choice
for the recently promoted Bond, bringing a hard-edged, cocky and
cold attitude to the secret agent. This is not the glib, snarky
Bond of the past twenty years, but rather a Bond who is, at his
core, a cold-blooded killer, a blunt instrument. Further playing
up the “rookie” aspect of the character, Casino Royale
is daring in that it shows James Bond making mistakes and putting
his ego before the job, still learning the ropes that come alongside
a license to kill. The rest of the cast is excellent, with the
gorgeous Eva Green playing Vesper Lynd spot-on, and the always-enjoyable
Giancarlo Giannini having a fun turn as Mathis, Bond’s contact
in Montenegro. Casino Royale is easily the best James Bond film
since On Her Majesty’s Secret Service, and it’s one
of the franchise’s best entries. This isn’t your daddy’s
Bond. It’s better.
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Stranger
Than Fiction - A Film by Marc Forster (Monsters
Ball)

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Harold
Crick (Wil Ferrell) is your average IRS agent. He gets
up every morning to the alarm of his wristwatch, brushes
his teeth, showers, gets dressed and goes to work.
His life is ordinary and routine. That is until he
begins hearing a voice in his head. But this is not
like any other voice, this is the voice of a woman
who is narrating his life. This of course happens on
the same day as he meets local baker and activist,
Ana Pascal (Maggie Gyllenhaal), whom he is auditing.
He is attracted to her and frustrated by her hatred
for him and the fact that his job prevents him from
being able to approach her. As he wrestles to determine
what is happening, the voice inexplicably predicts
his imminent and untimely death. This sends Harold
into a frantic search for what is happening to him.
He seeks council from the company shrink (Tom Hulce),
a professional psycho-therapist (Linda Hunt) and eventually
literary Professor Jules Hilbert (Dustin Hoffman.)
As it appears Harold's life is part of a story, Professor
Hilbert becomes an invaluable confidant, helping him
figure out what is going on. At the same time, author
Karen Eiffel (Emma Thompson) is struggling with a 10-year
bout of writer's block. She has just been given a new
assistant in the person of Penny (Queen Latifah.) Eiffel's
new book, Death and Taxes, centers on an IRS agent
named Harold Crick. That is where the story begins.
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With
a superb screenplay written by newcomer Zach Helm and phenomenal
direction by Marc Forster, Stranger than Fiction is a movie you
might not hear a lot about but you should. To try to describe
this film in a brief synopsis and then to review it in one brief
paragraph is a monumental task but here it goes. This movie is
an inspirational story that takes the audience from comedy to
tragedy and leaves them with a true sense of inspiration to re-evaluate
how their lives may be falling into the category of mundane.
The world that Forster creates for Harold is perfect. The simplicity
of his apartment, the analytical numbers that fly around his
head as he goes about his typical day, the cubicle hell that
is his office all fit the image of what we think the world of
an IRS agent would be like. Adding to the perfection of this
fictional world are the characters that inhabit it. Ferrell,
Gyllenhaal, Hoffman, Thompson and Latifah own their characters.
Even the minor supporting actors like Hunt and William Dick (as
Harold's co-worker and best friend) are great choices by the
casting agent. So many small nuances about this film add to the
overall success of the story and its ability to draw in the audience.
This film deserves to be recognized when award season comes along
especially for the script but also for some of the subtle but
effective performances. We believe you will walk out of the theater
inspired. We certainly did, talking about the film the whole
way home.
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Borat -
A Film by Larry Charles (Seinfeld)

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In
this film offshoot of Da Ali G Show, Kazakh television
journalist Borat Sagdiyev (Sacha Baron Cohen) is dispatched
by his government to the United States of America (“US
and A,” in his accent) to produce a documentary
about “the greatest country in the world.” Upon
arriving in New York, Borat stumbles upon a late-night
showing of Baywatch
in his hotel room ... and he discovers the existence
of the delectable Pamela Anderson. Borat quickly abandons
the documentary project and instead begins a cross-country
trek, with his producer Azamat (Ken Davitian) in tow,
to find Pamela in California and to marry her. Along
the way, he encounters a wide variety of assorted strangers,
all of whom react in different ways to his Kazakhstani
mannerisms. Three frat boys in a Winnebago, a humor
coach, a driving instructor, bull riders, etiquette
instructors, feminists, a prostitute ... Borat encounters
people from all walks of life, and by the time he reaches
California, he’s left a trail of destruction
from coast to coast.
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Borat
is a brilliant film, one of the funniest in recent memory and
indeed one of the funniest in the past twenty years. But the
rub of Borat is that there’s a lot more going on beneath
the surface. The character of Borat is an anti-Semitic, misogynistic,
nymphomaniac racist, and these traits come out in nearly every
meeting he has. The reactions to Borat run the gamut of outright
shock and disgust to, startlingly, agreement, with just about
every possible reaction in-between being seen as well. By being
so extreme (at one point, Borat walks into a gun store and asks
for the best gun with which to kill a Jew), the movie is an incisive
commentary upon our culture. The whole movie, whenever anyone
reacts to Borat with anything other than extreme disgust, is
satirizing American ignorance of other cultures. When the driving
instructor accepts that, in Borat’s country, women can’t
choose who they have sex with, that’s a satire of cultural
relativism brought to an extreme. It’s a satire that is
necessary in today’s day and age, forcing us to take a
hard look at cultural prejudices that still run rampant today.
Powered by the flawless performance by Sacha Baron Cohen (himself
a devout Cambridge-educated Jew), Borat is one of the most intelligent
comedies ever produced.
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Flushed
Away - A Film by David Bowers (Directorial
Debut)

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From
the production team that brought "Wallace & Gromit:
The Curse of the Were-Rabbit" comes Flushed
Away, a computer-animated tale set in the sewers
of London. The film centers on Roddy (Hugh Jackman),
an upper class rat living in a cage in the Kensington
section of the city. When his family goes on vacation,
Roddy is left alone to do whatever he wants, whenever
he wants, having complete reign over the house. His
simple life is shattered when, up from the drain
in the kitchen sink, comes Sid (Shane Richie), a
vulgar, sewer rat who finds Roddy's life to be quite
desirable. Roddy tries to trick Sid into going back
into the sewer by flushing him down the toilet but
is himself flushed instead. Once beneath the city,
Roddy runs into Rita (Kate Winslet), a wise-cracking, "sewer" savvy
female rat and captain of the Jammy Rodger. She is
in possession of a rare ruby that she stole from
The Toad (Ian McKellen.) The Toad desperately wants
the ruby back and will stop at nothing to get it
back. The Toad enlists his French cousin Le Frog
(Jean Reno) to retrieve the ruby and something else
of great value for him. With that, the race is on
through the sewers of London.
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Flushed
Away is visually quite stunning and, in computer-animation,
creates a world with the same feel as the clay-mation world
of Wallace & Gromit. The characters are drawn with the
same imperfections that the clay-mation Wallace and Gromit
have and similar features. Still, the computer allows so much
more as far as action and effects that would be impossible
with stop-action clay-mation. Unfortunately, Flushed Away is
a lackluster outing with few really funny moments and a story
that holds little to no interest. Sure, Jackman and Winslet
do fine lending their voices to the lead rats but The Toad
and Le Frog are the only primary characters that even remotely
got a laugh. Oh yeah, them and the slugs who provide the ubiquitous
musical interludes throughout the film. It is doubtful that
even children would find this movie to be all that entertaining.
The kernels it earns are due largely to the quality of the
animation and Reno and McKellen. Otherwise, this one is pretty
forgettable. Save the money and wait for either of the two
penguin films being released in the near future or some of
the other kid-fair highlighted in the previews preceding this
mediocre outing.
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The
Prestige -
A Film by Christopher Nolan (Memento, Batman Begins)

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A
tale of rivalry, revenge and illusion, The Prestige
is the story of two successful illusionists in London
around the turn of the last century. From the
earliest meeting as young, up-and-coming magicians,
Robert Angier (Hugh Jackman) and Alfred Borden (Christian
Bale) were fierce competitors even as they shared
the stage. When Angier's wife, an on-stage
assistant in the performance, is killed as part of
a trick gone horribly wrong, the two part ways and
open separate acts. Angier blames Borden for
the death of his wife and is jealous of the seemingly
impossible feats that Borden is able to produce on
stage. Borden, on the other hand, begins a
family and relishes the fact that his illusions have
Angier baffled. As time passes, Angier goes
on a search for the answers to Borden's greatest
illusion that takes him to the doorstep of Nikola
Tesla (David Bowie) in Colorado Springs. Has
he found his answer or been tricked by the master
magician once again? As the story unfolds,
it is a constant competition to see who can outperform
the other, who can win the girl (Scarlett Johansson
as Olivia) and who will ultimately be determined
to be the best. In the end, lives will be destroyed
and egos will be shattered. Are you watching
closely?
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Following
closely on the heels of The Illusionist starring Edward Norton
comes The Prestige. Yet again, two studios came up with
the same idea at roughly the same time. Interesting. In
any event, this one joins The Illusionist as being a top-notch
suspense and intrigue thriller. The trailer and the movie
itself continually ask us "are you watching closely" and
that could not be more true. The twists and turns in
this film exceed those of The Illusionist and carry the audience
on an interesting and visually stunning ride through a different
age where slight of hand ruled the day rather than computer
graphic wizardry. The performances are, to be expected,
top rate with Jackman, Bale, Johannson and the supporting cast
including Academy Award Winner Michael Caine as their
mentor and David Bowie as real life scientist Tesla. Much
like his other films, Director Nolan creates a dark, mysterious
backdrop from which the story can unfold. Fans of magic
tricks and illusions will marvel at the contraptions that were
concocted for this film, the majority of which probably were
in use or still are. Are you watching closely? You
better be because you will not want to miss a moment as the
story unfolds.
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The
Guardian - A Film by Andrew Davis (Under
Siege, Collateral Damage, The Fugitive)

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When
his fellow crewmates and friends perish while on
duty, rescue swimmer Ben Randall (Kevin Costner)
must take some time off from active duty. He
is assigned to serve as teacher to the next class
of Coast Guard Rescue Swimmers. His unorthodox
methods of teaching are often met with resistance
but he perceivers, hoping to train a generation of
swimmers who put the lives of others ahead of their
own. His class is a mix of two-time losers,
optimistic kids and a few recruits looking to find
a purpose. Cocky high school swimming champion
Jake Fischer (Ashton Kutcher, Cedar Rapids native
and husband to Demi Moore) is among his class and
is carrying around a rather large chip on is shoulder. His
antics, including missing curfew to spend time with
a local woman (Emily Thomas as Melissa), exacerbate
Randall but he sees something in this young man,
something special that could make him the best rescue
swimmer. Along the journey to making Jake an
elite officer, Randall may find the answers
he seeks as well and perhaps lead to a reunion with
his estranged wife (Sela Ward.)
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The
trailers for The Guardian have caught the attention of movie-goers
for months. The combination of exciting action sequences,
really quite extraordinary acting and the emotional storyline
embody what we only caught glimpses of in the trailers. Costner
and Kutcher put in their best performances. For Costner,
The Guardian is a career re-building effort and, at least to
our recollection, is one of the few good films in
which he has been the main character and does not revolve around
sports (see Waterworld and The Postman for the bad and Bull
Durham, Field of Dreams and Tin Cup for the good.) Kutcher
surprises in his role. Sure, portraying a cocky young
man with a chip on his shoulder is not much of stretch for
our fellow Iowan but he pulls off some great comedic and dramatic
moments. Perhaps our friend Ashton has finally matured. When
you view this film, it is hard to not get caught up in the
emotion. Whether it is during the action scenes
as they desperately try to save as many lives as possible or
the personal situations that each of the two heroes have to
endure, the filmmakers did a great job setting the scene and
creating the connection to them that makes the audience react
when good (and bad) things happen to them. A rare
occurrence these days, The Guardian lived up to the trailer. Be
forewarned, though, to empty your bladder before you go in. With
this being the COAST GUARD, watching the waves pound against
the shore after a JUMBO Pepsi could make the last 30 minutes
of this movie pure torture. And trust us when we say you
don't want to miss a minute as the movie draws to a close.
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Jackass:
Number Two A Film by Jeff Tremaine (Jackass:
The Movie)

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365
popcorn scale...
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Zero
Kernels for people with good taste and decency...
that's not us.

Five
Kernels for anyone who wants to laugh themselves
silly... that is us.
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If
the thought of watching a couple of guys get totally,
ridiculously owned by a bull doesn't amuse you in
the slightest, feel free to stop reading this review
right now, for you already know what the movie's
about.
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Now
that we've weeded out the cultured people who actually have
taste from the crowd, let's get down to business. Jackass:
Number Two is both the funniest and most repulsive film since
... well, Jackass: The Movie. If for some reason you're unaware
of the premise, it's rather simple: For 95 minutes, a crew
of idiots subject themselves to some of the most painful and
hilarious experiences you can imagine. It's essentially social
Darwinism at its finest: Survival of the least stupid. Attaching
a rocket to a shopping cart, being in a locked limousine filled
with bees, standing in front of a land mine as it detonates
... no stunt is too extreme for this crew, comprising such "luminaries" as
Johnny Knoxville, Steve-O and Bam Margera. Joining them throughout
are numerous celebrities, from noted indie film director John
Waters to Oscar-winning hip-hop group (it pains us to write
that) Three Six Mafia, skating legend Tony Hawk and BMX daredevil
Mat Hoffman. Of course, the extreme nature of the stunts
(we can't print the vast majority of them!) lends to a rather
gross-out, revolting tone throughout the film (not just for
the viewers, but the cast, as there's quite a bit of vomiting
in this film). Let's put it this way: Having one's backside
branded is *mild* when compared to much of the film's content.
And yet, as long as one has the stomach to withstand such material,
this movie will have you in physical pain from laughing so
hard.
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