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Recent Releases and Coming Soon to Theaters...

March 21
Drillbit Taylor
Shutter

March 28
21
My Mom's New Boyfriend
Possession
Run, Fat Boy, Run
Stop-Loss
Superhero Movie

April 4
Leatherheads
Nim's Island
The Ruins

April 11
Prom Night
Smart People
Street Kings

April 18
88 Minutes
The Forbidden Kingdom
Forgetting Sarah Marshall

April 25
Baby Mama
Deception
Harold and Kumar
Escape From Guantanamo

 

10,000 B.C.
A Film by Roland Emmerich (Godzilla 1998, Independence Day, Stargate)


Click here for the trailer

D’Leh (Steven Strait), a young mammoth hunter of the Yagahl Tribe, is the son of a hunter that abandoned the village. It was also at this time that D’Leh witnessed the mysterious arrival of Evolet (Camilla Belle), a young girl with bright blue eyes who prompts a prophecy from the wise old woman of the tribe, Old Mother, of “ four legged demons” coming to their land during the last mammoth hunt to occur years later. D’Leh falls in love with Evolet and promises that she will always be in his heart. Several years later, the tribe is in anticipation of a herd of woolly mammoths coming across the land, a herd that will help the tribe survive the winter. After the hunt goes wrong and Evolet is captured by horseriding Arab slave traders who raid the village, D’Leh goes after her, and after finding other tribes that have been pillaged and enslaved, he leads an insurrection against the traders, now sacrificing their slaves to a god.

If the above synopsis sounded strange and somewhat convoluted and mildly stupid, you’re not far off the track. 10,000 BC attempts to be a poor man’s Apocalypto, but doesn’t even come close to matching the mediocrity of that film. The movie makes very little sense, in terms of history (the tribe speaks English, but with an odd, unidentifiable accent) or logic. In many ways, that’s not entirely unlike the rest of Roland Emmerich’s filmmaking career, although earlier pieces like Independence Day and The Day After Tomorrow offered cheap, silly thrills and lots of explosions. By comparison, 10,000 BC is long, drawn-out and insipid, and unlike Emmerich’s earlier films, even the special effects leave much to be desired. The CGI saber-toothed tiger looks as though it is gliding around on a wagon, and the less said about the mammoths, the better. And the climax of the film, in which D’Leh leads an army against tyrant gods, is ... well, it’s not good. Pass.

E-Mail Wando: wando@Dubuque365.com
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Vantage Point
A Film by Pete Travis (Feature Film Directorial Debut)


Click here for the trailer

Vantage Point follows several characters as they each experience an assassination attempt on the President of the United States (William Hurt) during a summit in Spain. The event is captured multiple times with some common threads connecting each. The primary character is Secret Service Agent Thomas Barnes (Dennis Quaid), fresh from an extended leave of absence after taking a bullet for the President in a previous assassination attempt. His partner, Kent Taylor (Matthew Fox) has lead the charge to get Barnes back into active service and is at his side when the shots are fired. Forest Whitaker plays an American tourist who is filming the event on his digital video camera. Sigourney Weaver is a producer for the Global News Network, stationed just outside the plaza in a television broadcast truck. Edgar Ramirez plays Javier, one of the conspirators along with Suarez (Said Taghmaoui) and Veronica (Ayelet Zurer. Enrique (Eduardo Noriega) is a police officer charged with protecting the mayor of the Spanish city in which the film is set. Whether or not he is connected with the plot is unclear. As are the motivations behind all 8 of the main characters as the story unfolds from five separate yet interlaced Vantage Points.

Vantage Point is an interesting movie that carries its main plot device of going back in time to 12 p.m. for each of 5 separate perspectives on the events surrounding the attempted assassination. The first few times, this device is rather affective but then it gets tiresome. Additionally, the threads that connect all of the main characters and the utterly unbelievable way that some of them cross paths throughout the film stretches even this movie critic's ability to accept the storyline. Still, the movie does capture your attention and there are some heart pounding moments as gunshots and explosions disrupt several scenes. Discovering some of the secrets through the way the story is told is somewhat satisfying and the final payoff, though the path to get to it may be convoluted, is actually worth waiting for. The cast does a satisfactory job of delivering the script and only Whitaker seemed like he did not belong in the role for which he was cast. The action carries this movie, that is to be sure, and the winding road that is the script will keep you guessing as each segment ends with an "ah hah" moment where you do not get the whole story. One less trip back to 12 p.m. and a few less crossed paths and Vantage Point would have elevated itself to the level of suspense thriller classic. As it is, it is worth seeing on the big screen but probably only once and it may never make your DVD collection.
E-Mail Wando: wando@Dubuque365.com

Semi-Pro
A Film by Kent Alterman (Feature Film Directorial Debut)


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It is 1976, the final season for the American Basketball Association (ABA) as the league has just arranged a merger with the National Basketball Association (NBA). Unfortunately for Jackie Moon (Will Ferrell), owner of the Flint Tropics, the NBA has only agreed to take four teams from the ABA and the Tropics aren't included. Not willing to take this one sitting down, Jackie proposes that the top four finishers in the league's current season should be the teams to move over to the NBA. The ABA commissioner (David Koechner) reluctantly agrees. Thus, the fight to finish #4 or better begins. Jackie trades for Monix (Woody Harrelson) who won a championship ring with the Boston Celtics in the NBA while sitting on the bench. His former girlfriend (Maura Tierney) lives in Flint and he sees this as an opportunity to rekindle their relationship. As the season wears on, Jackie throws everything into the fight for fourth place including cheesy gimmicks and give-aways to fill the seats.

Semi-Pro has moments of brilliance but the majority of the film is mired in Farrell-isms. The underlying story about the demise of the ABA is actually pretty interesting and the filmmakers did a great job re-creating the vibe, fashion and hair of the 1970s. For those of us who remember 1976, it was almost scary and, at times, kinda depressing. What were we thinking? Anyway, the film could have been much funnier. Farrell seems to be cranking out these films too quickly without much regard for the actual quality of them. Semi-Pro falls well short of Anchorman or Talladega Nights. The supporting cast are alright but not even they have great lines to work with. Only die-hard Farrell fans are going to find this film amusing. The rest of us are going to struggle to really enjoy our time in the theater. If you want a trip down the 1970s memory lane, Semi-Pro is worth a look. Otherwise, wait for it on DVD.

E-Mail Wando: wando@Dubuque365.com

No Country for Old Men
A Film by Joel and Ethan Coen (Fargo, Oh Brother Where Art Thou?, Raising Arizona)


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A casual afternoon hunting in rural Texas for welder Llewellyn Moss (Josh Brolin) turns into a fight for survival after he stumbles on the remains of several drug runners and a stash of drugs and money. Instead of reporting what he found to the police, Moss takes the cash and returns to his mobile home and wife Carla Jean (Kelly Macdonald). Soon, Moss realizes that a psychopathic killer named Anton Chigurh (Javier Bardem) is hot on his trail, leaving nothing but dead bodies in his wake. As Moss struggles to stay one step ahead of Chigurh, Sheriff Ed Tom Bell (Tommy Lee Jones) struggles with coming to terms with his advancing years and the increasingly violent crimes he is charged with investigating. With another hit man (Woody Harrelson) dispatched to clean up the mess Chigurh has created, the stage is set for a violent convergence of these characters where few are likely to survive.

It is pretty apparent after viewing No Country for Old Men why it won the Academy Award for Best Picture less than a month ago. It is a gripping story told with an intense vision that at times makes one totally uncomfortable and unnerved and at other times amused. The Coen brothers have an unerring knack for creating incredible characters and settings in their films. No Country is certainly no exception. Bardem is absolutely dispassionate as he mows down practically everyone he encounters. The only questions are usually "how is he going to kill this person?" and "when is he going to kill this person?" To say that Coen brother movies are odd would be an understatement. The underlying story of the sheriff's struggles is interesting, especially with the fact that his investigation barely affects the outcome of the story. I had intentionally not read much about the film before seeing it and the plot was therefore not what I expected and it is well played from all angles. From Bardem to Brolin to Jones, the cast is amazing and fitting for the characters they portray. The pacing of the film, the calculated use of violence to tell the story and the eary score all add to the overall ambiance of the movie. You will walk away from No Country for Old Men looking over your shoulder to make sure Anton isn't right behind you.

E-Mail Wando: wando@Dubuque365.com

Fool's Gold
A Film by Andy Tennant (Hitch, Sweet Home Alabama, Anna and the King)


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Finn (Matthew McConaughey) is a dim-witted surfer/scuba diver who has turned his love of the sea into a career searching for lost treasure.  His main pursuit of the Aurelia, a Spanish galleon missing since 1715, has cost him his boat and his wife, the beautiful and brilliant Tess (Kate Hudson).  When he discovers a piece of a plate that belonged to someone connected with the Aurelia, his search and Tess' love is rekindled.  The treasure is being pursued by other interested parties as well, lead by rapper Bigg Bunny (Kevin Hart) and professional treasure hunter Mo Fitch (Ray Winstone).  In order to finance the adventure, Finn convinces millionaire Nigel Honeycutt (Donald Sutherland) to back him.  Ironically enough, Honeycutt just happens to be Tess' new boss.  Filling out the cast of characters is Honeycutt's daughter Gemma (Alexis Dziena) and assorted sidekicks for Bigg Bunny and the crew of the Honeycutt's yacht, Precious Gem.

The pairing of McConaughey and Hudson has some potential.  They may not be Katherine Hepburn and Spencer Tracy but they could be the next Goldie Hawn and Chevy Chase.  Ironic since Hawn is Hudson's mother.  They do play well together but Fool's Gold is less than stellar material.  The story is amusing enough but many of the characters, aside from Finn and Tess, are a little too much like caricatures.  Gemma in particular is unnecessarily over-the-top as the spoiled brat daughter of the millionaire.  Sutherland's character has some flashes of substance but, in general, is simply there to solve the money problems of the operation.  The rapper and his posse as the bad guys also falls flat.  They are just punks with guns and bling.  It might have been better if Mo Fitch had been the bad guy, sneaking in and claiming treasure discovered by others, or something like that.  Some humorous moments buoy the movie and raise it beyond a 1 or a 2 but Fool's Gold fails to reach the critical comedic mass to elevate it to a 4 Kernel film.  We hope that the $22 million haul it had in its first weekend gives cause for McConaughey and Hudson to share the screen again and perhaps with better results.

E-Mail Wando: wando@Dubuque365.com

Rambo
A Film by Sylvester Stallone (Rocky)


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John Rambo (Sylvester Stallone) is at it again in Rambo.  Set in Thailand and Burma, Rambo has settled into a life as a boat captain, sailing up and down the river looking for snakes to capture and sell to a local snake fighting business.  When a group of missionaries shows up and asked him to take them up river to Burma, a country besieged by a brutal civil war, he is reluctant.  That is until the attractive Sarah (Julie Benz) convinces him that their efforts to provide aid to some of the people targeted for ethnic cleansing might make a difference.  Soon, the missionaries are captured by the local warlord and Rambo joins a group of mercenaries as they try to locate them and return them to safety.

Rambo is like previous outings in the series and is over-the-top with violence.  Never have so many heads, arms, legs and other appendages been blown off during a 2 hour film.  Rambo is once again uber-macho and dispassionate about all of the people he kills.  Where the film completely fails is to establish the missionaries as people that the audience wants to see saved.  The audience may not even care if Rambo lives or dies.  The character that engenders the most sympathy is School Boy (Michael Marsden), one of the mercenaries.  The other mercenaries all deserve to die.  I did not care if the missionaries died.  I was not even that interested in what happened to the persecuted people of Burma.  School Boy should live, everyone else could die and it would not affect anything.  And, no offense to the people of Burma or Thailand but this film makes me never want to visit.  Both countries are hot and humid and it appears no one ever bathes.  Not what you would call a tourist mecca.  Anyway, if you enjoy watching people get their brains blown out or lose a limb, you will probably enjoy Rambo.  If not, it will be a monumental waste of $8.50.

E-Mail Wando: wando@Dubuque365.com

Cloverfield
A Film by Matt Reeves (The Pallbearer)


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Cloverfield follows the activities of a small group of friends on what begins as a typical night in New York City through the replaying of a video.  Rob (Michael Stahl-David) is moving to Japan and his friends decide to throw him a surprise Going Away party.  Rob's best friend Hud (T.J. Miller), his brother Jason (Mike Vogel) and his brother's girlfriend Lily (Jessica Lucas) are the main party planners.  As the party gets going, Hud begins to document it by using a video camera.  When friend turned potential girlfriend Beth (Odette Yustman) shows up with another guy, Rob's enthusiasm tanks.  Just as he starts sorting out his feelings about this turn of events, the night is disrupted by an attack on the city by an unknown monster.  As the party-goers flee the building and head out into the street, the video camera continues to roll, following Rob, Lily, Jason and Hud as they try to determine what is happening and searching for missing friends.

Cloverfield could have turned into one of the hokiest movies of all time but the way it was shot, using the jittery hand-held video camera, is highly effective.  Sure, the monster is kind of lame (who wasn't hoping it would actually turn out to be Godzilla?) but the action is well scripted and acted.  And, the director does an excellent job of not showing you everything.  The video from the hand-held camera looks like the videos you see on America's Funniest Home Videos (AFV).  In fact, this video looks less scripted than most of the AFV videos do.  At times, you are looking at ceiling tiles, floor tiles or the underside of a table.  Besides odd camera angles, you are also treated to poor lighting, poor audio and poor cuts between scenes, just like the videos your dad always took of you as a kid.  And the dialogue comes across as very conversational and not very scripted at all.  Kudos on the effectiveness of the format.  While the monster was not all that interesting to this reviewer and certain other aspects of the story were less effective than perhaps one might have hoped, Cloverfield is an entertaining science fiction movie with a twist.  Is it better than most science fiction monster movies?  Well, it certainly bested the Godzilla remake of a few years ago.  Though that's not saying much.
E-Mail Wando: wando@Dubuque365.com

27 Dresses
A Film by Anne Fletcher (Step Up)


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Jane (Katherine Heigl) is your average 30-something single female in New York.  She works hard, loves her family and enjoys her weekends.  Still, Jane has a secret which only she and her best friend Casey (Judy Greer) know.  Jane has been a bridesmaid 27 times.  Perhaps even Casey is unaware that Jane has kept all 27 Dresses.  Let's face it: Jane loves weddings and loves helping friends plan their weddings.  She just hasn't found the right guy to walk down the aisle with herself.  Well, she actually has.  Her boss, George (Edward Burns) is the love of her life.  At least until her sister Tess (Malin Akerman) shows up in town and sweeps the handsome George off his feet.  In the meantime, Jane is confronted with a reporter in the person of Kevin (James Marsden) who she finds to be an annoyance as she tries to figure out how to get through her sister's engagement and wedding to the man she (i.e. Jane) loves.

27 Dresses is definitely a film that will have terrific appeal to the women in the audience and quite a few of the men will be amused enough to go to this film on a date.  Heigl is charming as the love-struck heroine, desperately trying to make everyone happy except herself.  Greer is stupendous as the wise-cracking best friend who only goes to the weddings to bed handsome groomsmen.  The chemistry between Heigl and Marsden definitely works, especially when he is pushing her buttons and better yet as their feelings for one another develop.  The rest of the cast is effective and there are some very funny moments.  Just looking at the 27 hideous dresses that Jane has hidden in her overstuffed closet is amusement enough.  The jokes certainly do not come at you a mile-a-minute but that's not the type of film this is.  27 Dresses is a romantic comedy, after all, and the two lead actors are well suited for this movie genre.  Marsden is definitely out of the shadow of Cyclops here.  Not an Oscar winning film but the story, the writing and the acting certainly provide for a nice escape on a cold winter night.

E-Mail Wando: wando@Dubuque365.com

The Bucket List
A Film by Rob Reiner (Princess Bride, The American President, When Harry Met Sally, A Few Good Men)


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When thrown together in a shared hospital room, billionaire Edward Cole (Jack Nicholson) and mechanic Carter Chambers (Morgan Freeman) find they have more in common than their ailment.  They both have lived relatively full lives but have a laundry list of things they want to do before kicking the bucket.  Hence, the generation of The Bucket List.  One small piece of yellow paper takes these two gentlemen, each with less than a year to live, on the adventure of a lifetime.  Carter's wife Virginia (Beverly Todd) is less than accepting of their plans, especially knowing how few days she has left with her husband of 45 years.  Edward and Carter are joined on their journey by Edward's tortured assistant Thomas (Sean Hayes).  Along the way, each discovers something about themselves and each other.  Their brief friendship has a profound effect on their remaining days and makes their final chapter far different than could have been expected.

The Bucket List is an inspiring tale told by one talented director and two extremely talented actors, among others.  The reunion of Reiner and Nicholson (previously working together on A Few Good Men) with the addition of Freeman is a mixture destined to succeed.  And the result proves that sometimes you just cannot fight destiny.  Freeman and Nicholson give outstanding performances, exhibiting the full range of emotions while infusing the audience with the same.  These two certainly could be friends in real life.  The film begins a little slow but necessarily so to establish the characters, giving us some background information and making the audience understand the way it feels to be confined to a hospital bed for an extended period of time going through treatment for cancer.  From the depressing hospital room, our pair goes to such locales as Cairo and the Himalayas before finishing their journey.  The only unfortunate thing about the movie is that some of the scenes are obviously done against a green screen and our two aging actors are not really driving hot rods on a California racetrack, for example.  And that's a shame as it distracts from an otherwise exemplary cinematic experience.  Does it cost the movie a kernel?  You will have to judge if we made the right call but we just couldn't hold it against them

E-Mail Wando: wando@Dubuque365.com

Charlie Wilson's War
A Film by Mike Nichols
(Who's Afraid of Virginia Woolf, The Graduate, Silkwood, Working Girl, Primary Colors)


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Charlie Wilson's War is based on the book by George Crile about a congressman, a rogue CIA agent and a Texas millionaire and how they ended the Cold War. Charlie Wilson (Tom Hanks) represents the Second District of Texas in the US Congress during the early 1980s. He is a philanderer and drunk but, when confronted with the horror of Soviet activities in Afghanistan following their invasion, he finds something on which to focus his energies. With a position on the subcommittee in control of the CIA's covert operations budget, Wilson is in a position to expand funding to the Afghanistan rebels fighting the Soviet Union. With this knowledge, long-time supporter Joanne Herring (Julia Roberts) uses her connections to arrange a meeting between Wilson and the President of Pakistan. From there, Wilson, along with CIA Agent Gust Avrakotos (Philip Seymour Hoffman), arrange for arms and heavy machinery from Israel and Egypt along with funding from Saudi Arabia to augment the funds from the US Congress, all in an effort to defeat the Soviets without anyone knowing the United States backed the war to such a large extent. In between, Wilson must face an ethics investigation due to his alleged use of illegal drugs.

With a director like Nichols, a script by Aaron Sorkin and a cast that includes Academy Award winners Hanks, Roberts and Hoffman, the success of Charlie Wilson's War was practically assured. And, it does not disappoint. As with his other outings, Sorkin's script is chock full of wit, wisdom and political insight. Hanks plays the drinking, womanizing Wilson with a level of enjoyment that is visible in each scene. He and Hoffman are a force when they appear on screen together with some spirited interchanges that will have your head spinning. Roberts probably has the least intriguing role but she makes something out of it, playing up her character's status in society through her attitude and appearance. Though Wilson is a flawed individual, it is gratifying watching him (via Hanks' portrayal) work the halls of Congress and world leaders to assure victory for Afghanistan and the first defeat of the mighty Soviet army. Their loss at the hands of the Afghanistan fighters marked a turning point and, according to the film, lead to the downfall of the Soviet Union and Communism in the region. Charlie Wilson's War is a film that fans of the cast and crew will enjoy and will appeal to those of us who are fascinated with history and politics. There are few if any flaws with this film.

E-Mail Wando: wando@Dubuque365.com

National Treasure: Book of Secrets
- A Film by Jon Turteltaub (National Treasure, Instinct, Cool Runnings)


Click here for the trailer

In the follow-up to the highly successful National Treasure, historian and treasure hunter Ben Gates (Nicolas Cage) along with his loyal sidekick Riley Poole (Justin Bartha), on-again/off-again girlfriend Abigail Chase (Diane Kruger) and father Patrick Gates (Jon Voight) are at it again, this time in search of proof that Ben's great-great grandfather Thomas was not a conspirator involved in the assassination of President Abraham Lincoln. When a partial page from the diary of John Wilkes Booth surfaces, it indicates that Thomas was a part of the plot to assassinate Lincoln. It is brought forward by Jeb Wilkinson (Ed Harris), whose ancestors were insignificant supporters of the Confederacy. The search for the truth takes Ben and crew to Paris, London, Washington, D.C. and the Black Hills of South Dakota. Not only will the secrets of the conspiracy be revealed but a treasure that rivals the National Treasure which gave the Gates family their notoriety in the first place.

National Treasure: Book of Secrets does not quite live up to the hype nor the quality of the first film. All the same primary characters are back with the exception of the bad guy from National Treasure and much of the chemistry is still there but the story is lacking. The film begins strong enough with the set-up about how Thomas Gates may or may not have been involved in the assassination of Lincoln but it quickly digresses into just another treasure hunt which strains the imagination about how it connects to the search to exonerate Ben's great-great grandfather. The exotic locales, action sequences and character interaction are as entertaining as National Treasure so it may be enough to distract most viewers from the many holes in the plot. And, while this movie does not live up to expectations, the not-so-subtle hints at what will be the basis of National Treasure 3 has this reviewer ready to shell out the admission fee again to see the National Treasure cast reunite for yet another fun ride through history.
E-Mail Wando: wando@Dubuque365.com

I Am Legend
- A Film by Francis Lawrence (Constantine)


Click here for the trailer

Will Smith stars in I Am Legend, an apocalyptic tale set in New York in the year 2012. Robert Neville (Smith) is a brilliant scientist and apparently the last human on Earth who is unaffected by a plague that has ravaged the planet. As he struggles to discover a cure for the disease, he has to avoid the zombie-like creatures who used the remaining 12 million immune humans as food. For three years, Neville has searched the vacant city during daylight hours to find food as well as groups of mutants whom he can use as guinea pigs for his various vaccines. He has imaginary friends in the form of mannequins which he has placed in various locations across the city. The plague against which he fights was created by a doctor (Emma Thompson) as a cure for cancer. Over time, those "cured" began to show symptoms similar to rabies. Neville became one of the scientists enlisted to eradicate the plague prior to it taking full effect and he now feels responsible for continuing the search for a cure. If he can find a cure, he may be able to bring those affected back to health and restore some semblance of civilization to the world.

I Am Legend is a tense, futuristic science fiction movie that will keep you on the edge of your seat while, at the same time, creating a real sense of how isolated you would feel if you were the last remaining human. There have been plenty of apocalyptic movies such as this but I Am Legend is better than most. The way Smith interacts with his faithful canine, wanders the city with a sense of purpose and has lost an ability to interact with other people is convincing. The Fresh Prince has come quite along way and his foray into action adventure thrillers has been great. I Am Legend continues his transformation into an action star, and is similar to I Robot. Though not a great film, I Am Legend is a satisfying escape. The flashbacks which tell the back story help fill in a number of the blanks but still leave plenty of gaps. The ending is fitting and leaves something to the imagination about what may happen after the conclusion.
E-Mail Wando: wando@Dubuque365.com

The Golden Compass
- A Film by Chris Weitz (About a Boy)


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In a world with witches, ice bears and daemons, a young girl named Lyra (Dakota Blue Richards) holds the key to preventing a group known as the Magisterium from controlling all of humanity. That key is The Golden Compass and Lyra is perhaps the only person that can read it. You see, if you can read The Golden Compass, you can learn the truth, see what others wish to hide and potentially change future events. Lyra lives at Jordan College with her uncle, Lord Asriel (Daniel Craig), and her daemon, Pan (voiced by Freddie Highmore). For months, children have been disappearing, being taken by Goblers, never to be seen again. When Lord Asriel embarks on a journey to the Arctic Circle to uncover the truth about a mysterious substance known as Dust, which the Magisterium is desperate to keep secret, and her best friends disappear, Lyra goes with the equally mysterious Mrs. Coulter (Nicole Kidman) and quickly learns that she is not who she claims to be. Lyra escapes with the aid of the Gyptians and with them forms an alliance which includes the witches lead by Serafina Pekkala (Eva Green), the ice bears lead by Iorek Byrnison (voiced by Ian McKellen) and a Texas airman (Sam Elliott). As they search for the missing children, they must travel by land, sea and air to the icy north. A war is brewing and the battle for their world and parallel worlds supposedly accessible via this Dust will take them to places they have only imagined.

The Golden Compass is a visually interesting film full of mystery, intriguing characters, exotic locales and strange machines. Dakota Blue Richards holds her own among some powerful adult actors such as Craig and Kidman. The story is certainly unique but the complicated nature of the multi-layered plotlines gives it a jumbled feel and, as a movie-goer, I felt as if I had missed several bits of vital information. It is almost as if the viewer walked into the middle of a movie trilogy. The interlaced plotlines never really come together but that is to be expected since this is the first of three adaptations of the book series. And, yes, that means you can expect that you will be left hanging at the end of the film. The story ends at a point that makes some sense but it does leave the audience wondering if the movie is actually over right before the credits roll. As with other movie trilogies, we may have to hold final judgment until the series concludes but, for now, The Golden Compass leaves something to be desired. Perhaps those who read the books will have a greater appreciation for the big screen adaptation. As someone who has not, The Golden Compass did not live up to expectations.
E-Mail Wando: wando@Dubuque365.com

August Rush
- A Film by Kirsten Sheridan (Disco Pigs)


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August Rush is the story of Evan Taylor (Freddie Highmore), a musically gifted orphan who hears the sounds of the world differently than others. He holds out hope that his parents will come for him one day, never believing that they did not want him. His parents, it turns out, are talented musicians in their own right. His mother, Lyla (Keri Russell), is an accomplished cellist and her father, Louis (Jonathan Rhys Meyers), is an Irish rock star. Their one night affair took place twelve years earlier on a rooftop in New York, all set to a rendition of "Moondance" by a street musician. They instantly fall in love and Lyla's father (William Sadler) makes sure that this one night stand is all there will be, fearing that their intense feelings will destroy Lyla's budding career. Knowing in his heart that he will find his parents if he follows the music, Evan runs away from the orphanage and begins his search. Upon arriving in New York, he meets Wizard (Robin Williams), an "agent" for several child street musicians. When Evan begins playing a guitar, Wizard quickly realizes how talented he is and he reinvents him as August Rush, knowing that someone will be searching for him. Will Evan find his parents? Only time will tell.

August Rush is a feel good movie that will have you wondering what will happen and entertained at every turn. That is, of course, if you can suspend your disbelief at some of the unbelievable coincidences and situations. Freddie Highmore, the actor who played Peter in Finding Neverland and should have been nominated for and won an Academy Award for that performance, turns in another inspired portrayal here as the talented orphan. Russell and Meyers are believable as the star crossed lovers, though they really did not age much from the early scenes of their first meeting to the end of the film, which is supposed to be 12 years later. The thing that really grabs you is the way that everyday sounds take on special meaning and significance, not just to Evan but to the audience as well. The music that pervades the entire movie keeps it lively and entertaining. You will be tapping your feet and smiling from start to finish. August Rush will get some notice but it will be held back by some of the implausibility of the script and some middle-of-the-road performances. Still, it is an enjoyable ride with a tidy payoff at the end.
E-Mail Wando: wando@Dubuque365.com

Beowulf
- A Film by Robert Zemeckis (Back to the Future Trilogy, Forrest Gump, Cast Away)


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Based on the English Literature classic, Beowulf begins with a kingdom under siege by a demon known as Grendel (Crispin Glover). King Hrothgar (Anthony Hopkins) therefore puts out a call to any man brave enough to confront the creature and rid his kingdom of its fear. Soon, Beowulf (Ray Winstone) arrives from across the sea with tales of heroic acts. He is a larger than life warrior who quickly catches the eye of the King's young wife (Robin Wright Penn), the faith of the King and the ire of Unferth (John Malkovich), the King's trusted advisor. It does not take long for the demon to reappear and Beowulf quickly dispenses with him, only to learn that Grendel's mother (Angelina Jolie) survives and seeks revenge. He wastes no time in seeking her out and returns with tales of slaying the witch. Not having a legitimate male heir of his own, King Hrothgar names Beowulf as his successor and shortly thereafter perishes. Beowulf becomes King, gaining control of the kingdom and the hand of the Queen. Still, he is haunted by his encounter with Grendel's mother and it eventually leads to his downfall.

Beowulf is described by its own website as a "digitally enhanced live-action" movie. How much is real and how much is Memorex is a good question. The movie is primarily digital, it would seem, with the characters "drawn" to resemble the cast members, save for Crispin Glover unless he's had a really bad case of acne and suffered through the recent fires in San Diego. Jolie is probably the most realistic of them all. The scenery is fantastic and incredibly realistic. The humans and other living things are less effective but none-the-less a cinematic leap forward. The classic tale is adapted rather effectively for the big screen by Neil Gaiman who has struggled to get the film made for about a decade. We wish we could have seen Beowulf in IMAX or Digital 3D, for which the filmmakers intend it to be seen. Still, the film is an interesting experiment based on a classic piece of literature. It moves at a fairly brisk pace but does have a few ho-hum moments. Additionally, Grendel is incredibly difficult to understand as our some of the other lines throughout the film. Not a bad film but we left the theater in agreement that it was not great. If Beowulf does nothing else, it will remind you of those long days in English Lit when you got to analyze the original work for all its symbolism and meaning. This is a movie, sit back and relax. There won't be a test at the end.

E-Mail Wando: wando@Dubuque365.com

Fred Claus
- A Film by David Dobkin (Wedding Crashers, Shanghai Knights)


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Being a sibling is not always easy but for Fred Claus (Vince Vaughn) it's more painful than for most. See, Fred's brother Nick is none other than the man we all know as Santa Claus (Paul Giamatti). From the moment he was born, Nick was his mother's (Kathy Bates) favorite and Fred, as the older brother, became bitter and resentful. Living in Chicago, Fred has a girlfriend (Rachel Weisz as Wanda) and several get-rich schemes. Upon getting arrested, Fred is forced to call his do-good brother to get a loan to make bail. Nick insists on Fred coming to the North Pole to help him get ready for Christmas as a way to earn the money. His arrival coincides with that of Clyde (Kevin Spacey), an efficiency expert who is sent by the "board" to evaluate Santa and file a report on his operation. If quotas are not met, Santa could lose his job. Will Fred be naughty or nice? You won't know until the final credits roll.

Fred Claus came with the hope of being the next in a long line of holiday comedy classics but falls far short of achieving that goal. Unlike recent classics like Elf, Fred Claus lacks a lot of great comedic moments. Vince Vaughn is still Vince Vaughn. He inhabits every character with the same attitude and line delivery as he always does. The original concept held a lot of promise but it was wasted through poor script writing. Willie (John Michael Higgins) is pretty much just annoying. The few bright spots are Kathy Bates as Fred and Nick's mother, Elizabeth Banks for her cleavage and cameos by some famous siblings in what is the funniest scene in the film. Giamatti has a few moments as Santa but Weisz is given little to work with here. This is one holiday movie you won't be seeing shown for 24 hours straight on TNT anytime soon. In fact, it's difficult to recommend it in the theater or on video unless you are a real die-hard Vince Vaughn fan. Rent Elf, National Lampoon's Christmas Vacation or, better yet, A Christmas Story if you want a good laugh this holiday season.

 
E-Mail Wando: wando@Dubuque365.com

The Final Season
- A Film by David M. Evans(Radio Flyer, The Sandlot)


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We have not seen it yet, but we thought you should know about it... So here's the scoop on the movie from the Internet Movie Database... The Final Season is the true story of Kent Stock, played by Sean Astin, who in the early 90's, gives up a job and ditches his wedding plans to take over as head coach as the Norway High School baseball team. Kent must win over his players and convince them and himself that he can fill their former coach's shoes and that they can go out winners. In the summer of 1991 Norway High's baseball tradition ended on a triumphant but sombre note.

Tradition in Norway, Iowa, can be summed up in one word, baseball. In the small Midwestern town, population 586, baseball is a legacy passed father to son, generation to generation. The Norway high school team is no stranger to overcoming the odds, to playing "David" to the State's much larger schools' "Goliath." When the 1990 team, lead by Coach Jim Van Scoyoc, wins its 19th State Championship in 23 years, it is almost expected. The unexpected comes when bureaucracy intervenes to merge Norway into a larger school, and petty jealousies conspire to rob Norway of its heritage and a 20th State Championship. The legendary coach is fired and replaced with his 24-year-old, one-season assistant coach, Kent Stock -- a move designed to insure the team's failure. "THE FINAL SEASON" tells the true story of an underdog coach and team who despite tradition have been written off not only by their rivals but also by those closest to them, the town. Can they find the faith in themselves, and the faith in each other, to make it to one final championship game -- and the chance for redemption?

This movies was filmed right here in Iowa and stars Sean Astin, Rachael Leigh Cook, Tom Arnold, and more. It promised to be another straw in hat of Iowa film making. The movie opens Friday, October 12th at Star Cinema, Carmike Cinema Center 8 and the avalon Theater in Platteville.

 
E-Mail Wando: wando@Dubuque365.com

Good Luck Chuck
- A Film by Mark Helfrich (Rush Hour 3, X-Men: The Last Stand)


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365 popcorn scale...

Charlie Logan (Dane Cook) has had girlfriends come and go but he's never felt strongly enough about any of them to tell them he loves them. When it suddenly dawns on him that all of his ex-girlfriends married the next guy they dated, he realizes that he has a gift. He is Good Luck Chuck. Overnight, women start stopping by his dental office, hoping to bed Chuck so they can move on to the next guy and find true love. At the insistence of his best friend, Stu (Dan Fogler), Chuck takes advantage of the situation and sleeps with as many of these women as possible. Unfortunately, along the way he meets the women of his dreams, Cam (Jessica Alba), who takes care of the penguins at a local aquarium and is extremely clumsy. Fearing that Cam will fall in love with someone else after he sleeps with her, Chuck tries to avoid doing the act and then, once it happens, tries everything to win Cam's heart.

Good Luck Chuck was a let-down for this reviewer. Dane Cook has been receiving a lot of attention lately (including being the on-air promoter for Major League Baseball's playoffs) but really did not live up to the hype in this film. Jessica Alba actually generated more amusement with her clutzy penguin loving Cam. Adding to the comedic timing is Fogler as Stu, the completely breast obsessed plastic surgeon. Sophomoric to the extreme at times, Good Luck Chuck just isn't that funny. Additionally, the previews that we saw over the past few months were misleading as to what the plot of this film is. Perhaps the studio realized that the best parts of the film surrounded Alba and Fogler and focused less on Cook's character. Of course, for all those testosterone driven males out there, the film includes plenty of nudity, especially with Chuck bedding every female in town and Stu being a plastic surgeon. Good Luck Chuck is definitely a rental. And, for the testosterone driven males out there, then you can pause the video or DVD. Think about it. Just don't expect a lot of belly laughs during this one.

E-Mail Wando: wando@Dubuque365.com

3:10 to Yuma
A Film by James Mangold (Walk the Line)

 




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365 popcorn scale...

Set in Arizona in the late 1800s, 3:10 to Yuma is a modern version of the classic western of the same name. Outlaw Ben Wade (Russell Crowe) and his infamous band of thieves and murderers is wreaking havoc for the advancing Southern Railroad, stealing their payroll and putting up roadblocks at every turn. When Wade is captured in Bisbee, Civil War veteran turned rancher, Dan Evans (Christian Bale), volunteers to assist in transporting Wade from Bisbee to a neighboring town where he will be placed on the 3:10 train to the prison in Yuma. There, he is to be hanged the following morning. As they cross the drought stricken terrain, Wade and Evans come to earn the respect of the other, all while being chased by Wade's band of marauders, Native Americans and Evan's son, who has never respected his father.

As other critics have pointed out, 3:10 to Yuma is probably the best western since Unforgiven and follows on the heels of another recent modern western, Open Range, in being true to the genre but with a level of action that will keep the interest of today's movie-going audience. The pairing of Crowe and Bale is at the heart of the story and drives the film from start to finish. The remaining cast filters in and out of the action as needed, providing the perfect ensemble around our two stars. The gritty Peter Fonda is effective as the grizzly Pinkerton guard, Ben Foster plays the psychotic Charlie Prince to great effect, and Logan Lerman brings Evans' teenage son William to life. As with most westerns, tons of gunfire leave the audience in doubt as to who will live and die, right up to the final scene. And, as with the most successful movies of the genre, 3:10 to Yuma does not disappoint as the action comes to a fitting and profound end when the train whistle blows and the 3:10 train to Yuma lurches forward down the tracks.

E-Mail Wando: wando@Dubuque365.com

The 365 Popcorn Scale!

We rate the movies on a five kernel scale. Five unpopped kernels means the movie was a real stinker, we're talking "The Avengers" or "Rollerball" bad. Five popped kernels means we loved it. This may not meak we have a Citizen Kane on our hands but it does mean we came out of the theater thinking that we got everything we hoped for from this film and maybe even more. We may give a lot of movies five kernels if we feel they live up to our loose standards of a great movie. Read below for our definitions of each popper kernel designation. Click to return to the top of this page!

Five Popped Kernels
Everything you want in a movie. Thoroughly entertaining or involving. This movie is exactly what we hoped for going in and then some.
Four Popped Kernels
This is a good movie. You should catch it in the theater. Very entertaining and worth while. For it's genre, it is done right and pays off to the viewer. It may be missing some qualities that would qualify it as a great film but it is easily recommendable to the standard cinema fan.

Three Popped Kernels
This movie passes. Not great but not a waste of time. Perhaps great performances in a weak script or vice versa or maybe it is just to formulaic. You may enjoy it while you are in the theater but it will not likely spark conversation afterword.

Two Popped Kernels
This film is hard to recommend unless it has some feature that appeals directly to certail circles of fans; a favorite actor or plot topic or setting. It falls short on story and or performances. It was either a bad idea to start with or a good idea done the wrong way. You will likely be glad you waited for this one on video. The visuals do not beneit by viewing it in a theater vs. at home.
So wait for this one.

One Popped Kernels
Watch it on video if you have seen EVERYTHING else that is out first. You may want to opt for rewatching classic favotie instead. Don't wast time or moneyseeing it in the theater.
No Popped Kernels
This movie is about as pallatable as haggis. And if you know what haggis is you will never waste your precious time on this earth watching this peice of excremental cinema.

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